Beyond the Reconquista: New Directions in the History of Medieval Iberia (711-1085) offers an exciting series of essays by leading scholars in Hispanic Studies from across North America and Europe. At its heart is the Reconquista, without doubt the most important and enduring theme of Iberian historiography of the Middle Ages. The innovative studies collected herein, which treat a diverse array of subjects via forensic analyses of charters, chronicles and coins, shed new light on crucial aspects of medieval Iberian socio-economic, political and cultural history. The result is a collection of essays which marks a decisive and bold turning of the page in Iberian medieval studies, as the reality and ideal of Reconquest come under hitherto unparalleled scrutiny. Contributors are Graham Barrett, Jeffrey Bowman, Alberto Canto, Nicola Clarke, Wendy Davies, Julio Escalona, Jonathan Jarrett, Eduardo Manzano Moreno, Iñaki Martín Viso and Lucy K. Pick. See inside the book.

11 essays from both historians and archaeologists achieve a re-reading of a the tenth century, which has been central to the interpretation of the historical development of Europe over the past decade.

A Plural Peninsula embodies and upholds Professor Simon Barton’s influential scholarly legacy, eschewing rigid disciplinary boundaries. Focusing on textual, archaeological, visual and material culture, the sixteen studies in this volume offer new and important insights into the historical, socio-political and cultural dynamics characterising different, yet interconnected areas within Iberia and the Mediterranean. The structural themes of this volume --the creation and manipulation of historical, historiographical and emotional narratives; changes and continuity in patterns of exchange, cross-fertilisation and the recovery of tradition; and the management of conflict, crisis, power and authority-- are also particularly relevant for the postmedieval period, within and beyond Iberia. Contributors are Janna Bianchini, Jerrilynn D. Dodds, Simon R. Doubleday, Ana Echevarría Arsuaga, Maribel Fierro, Antonella Liuzzo Scorpo, Fernando Luis Corral, Therese Martin, Iñaki Martín Viso, Amy G. Remensnyder, Maya Soifer Irish, -Teresa Tinsley, Sonia Vital Fernández, Alun Williams, Teresa Witcombe, and Jamie Wood. See inside the book

Text and Textuality in Early Medieval Iberia is a study of the functions and conceptions of writing and reading, documentation and archives, and the role of literate authorities in the Christian kingdoms of the northern Iberian Peninsula between the Muslim conquest of 711 and the fall of the Islamic caliphate at Córdoba in 1031. Based on the first complete survey of the over 4,000 surviving Latin charters from the period, it is an essay in the archaeology and biography of text: part one concerns materiality, tracing the lifecycle of charters from initiation and composition to preservation and reuse, while part two addresses connectivity, delineating a network of texts through painstaking identification of more than 2,000 citations of other charters, secular and canon law, the Bible, liturgy, and monastic rules. Few may have been able to read or write, yet the extent of textuality was broad and deep, in the authority conferred upon text and the arrangements made to use it. Via charter and scribe, society and social arrangements came increasingly to be influenced by norms originating from a network of texts. By profiling the intersection and interaction of text with society and culture, Graham Barrett reconstructs textuality, how the authority of the written and the structures to access it framed and constrained actions and cultural norms, and proposes a new model of early medieval reading. As they cited other texts, charters circulated fragments of those texts; we must rethink the relationship of sources and audiences to reflect fragmentary transmission, in a textuality of imperfect knowledge.

Early modern scholarship often reads the dramatic representations of the Muslim woman in the light of postcolonial identity politics, which sees an organic relationship between the West’s historical domination of the East and the Western discourse on the East. This book problematizes the above trajectory by arguing that the assumption of a power relation between a dominating West and a subordinate East cannot be sustained within the context of the political and historical realities of early modern Europe. The Ottoman Empire remained as a dominant superpower throughout the sixteenth and seventeenth centuries and was perceived by Protestant England both as a military and religious threat and as a possible ally against Catholic Spain. Reading a series of early modern plays from Marlowe to Beaumont and Fletcher alongside a number of historical sources and documents, this book re-interprets the image of Islamic femininity in the period’s drama to reflect this overturn in the world’s power balances, as well as the intricate dynamics of England’s intensified contact with Islam in the Mediterranean.

Richly illustrated, this is the first study in English to explore the longevity of Orientalist art in Spain over a period of 120 years. It highlights how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711–1492) and northern Morocco, from Spain's liberal revolution of the 1830s to the end of the Protectorate of Morocco in 1956. Combining art history with a cultural studies approach, and using exemplary case studies, Hopkins foregrounds the diverse issues that underpin Orientalist expression: reflections on history and the nation, cultural nationalism, gender and sexuality, aesthetics and art commerce, colonialism and racial thinking. In the process, the book challenges over-familiar understandings of Western Orientalism. Beyond Fortuny and Sorolla, many unfamiliar artists and exhibitions are introduced, amongst them Villaamil, whose nostalgic landscapes evoked the loss of Andalusi culture; Bécquer, who celebrated Spanish-Moroccan peace-making through the lens of Velázquez; the Symbolist Rusiñol, whose images of the Alhambra are infused with melancholy; Morcillo, whose extraordinary camp images opened a new space for male subjectivity; Tapiró and Bertuchi, who dedicated their lives to Morocco, and the Moroccan Sarghini, who participated in the state-funded Painters of Africa exhibitions in Franco's Madrid – an annual exhibition that served the colonial concept of a Hispano-Moroccan brotherhood under the dictatorship. This book traces the shifting impulses and meanings of Orientalist expression in Spain. It makes an original intervention in the field of Spanish art studies and contributes new material to the ongoing debates about Western Orientalism.

This volume aims to present an updated portrait of the Roman countryside in Roman Spain by the comparison of different theoretical orientations and methodological strategies including the discussion of textual and iconographic sources and the analysis of the faunal remains. The archaeology of rural areas of the Roman world has traditionally been focused on the study of villae, both as an architectural model of Roman otium and as the central core of an economic system based on the extensive agricultural exploitation of latifundia. The assimilation of most rural settlements in provincial areas of the Roman Empire with the villa model implies the acceptance of specific ideas, such as the generalization of the slave mode of production, the rupture of the productive capacity of Late Iron Age communities, or the reduction in importance of free peasant labor in the Roman economy of most rural areas. However, in recent decades, as a consequence of the generalized extension of preventive or emergency archaeology and survey projects in most areas of the ancient territories of the Roman Empire, this traditional conception of the Roman countryside articulated around monumental villae is undergoing a thorough revision. New research projects are changing our current perception of the countryside of most parts of the Roman provincial world by assessing the importance of different types of rural settlements. In the last years, we have witnessed the publication of archaeological reports on the excavation of thousands of small rural sites, farms, farmsteads, enclosures, rural agglomerations of diverse nature, etc. One of the main consequences of all this research activity is a vigorous discussion of the paradigm of the slave mode of production as the basis of Roman rural economies in many provincial areas. A similar change in the paradigm is taking place, with some delay, in the archaeology of Roman Spain. After decades of preventive/emergency interventions there is a considerable quantity of unpublished data on this kind of rural settlements. However, unlike the cases of Roman Britain or Gallia Comata, no synthesis or national projects are undertaking the task of systematizing all these data. With the intention of addressing this current situation the present volume discusses the results and methodological strategies of different projects studying peasant settlements in several regions of Roman Spain.