A veteran journalist and former member of Parliament, Kuldip Nayar is India’s most well known and widely syndicated journalist. He was born in Sialkot in 1923 and educated at Lahore University before migrating to Delhi with his family at he time of Partition. He began his career in the Urdu newspaper Anjam and after a spell in the USA worked as information officer of Lal Bahadur Shastri and Govind Ballabh Pant. He eventually became Resident Editor of the Statesman and managing editor of the Indian news agency UNI. He corresponded for the Times for twenty-five years and later served as Indian high commissioner to the UK during the V.P. Singh government. His stand for press freedom during the Emergency, when he was detained; his commitment to better relations between India and Pakistan, and his role as a human rights activist have won him respect and affection in both countries. Author of more than a dozen books, his weekly columns are read across South Asia.

Autobiography of an Indian journalist, author, diplomat and parliamentarian.

The legendary icon tells his story—a tale of art, passion, commitment, addiction, as intense and hypnotic as the man himself. In a career spanning five decades, Nick Nolte has endured the rites of Hollywood celebrity. Rising from obscurity to leading roles and Oscar nominations, he has been both celebrated and vilified in the media; survived marriages, divorces, and a string of romances; was named the “Sexiest Man Alive” by People magazine; and suffered public humiliation over his drug and alcohol issues, including a drug-fueled trip down a “long road of nothingness” that ended in arrest. Despite these ups and downs, Nolte has remained true to the craft he loves, portraying a diverse range of characters with his trademark physicality and indelible gravelly voice. Already 35 when his performance in the 1976 miniseries Rich Man, Poor Man launched him to stardom, Nolte never learned to play by Hollywood’s rules. A rebel who defies expectations, an obsessive method actor who will go to extremes for a role (he lived among the homeless to prepare for Down and Out in Beverly Hills), Nolte is motivated more by edgier, more personal projects than by box office success. Today he is clean yet still driven, juggling a number of upcoming works and raising his young daughter. A man who refuses to hide his mistakes, Nolte now delivers his most revealing performance yet. His revealing memoir, filled with sixteen pages of color photos, offers a candid, unvarnished close-up look at the man, the career, the loves, and the life.

The incredible true story of a rock legend. . . Lemmy’s name was synonymous with notorious excess: his blood would have killed another human being. This is the story of the heaviest drinking, oversexed speed freak in the music business. Updated after Lemmy’s untimely death in 2016, White Line Fever offers a sometimes hilarious, often outrageous, highly entertaining ride with the frontman of (what was) the loudest rock band in history. Motörhead stand firm as conquerors of the rock world, their history spanned an incredible forty years and while the Motörhead line-up saw many changes, Lemmy was always the soul of the machine. In the words of drummer Mikkey Dee, ‘Lemmy was Motörhead.’ From playing with local bands in Wales, his early career with the Rocking Vicars, backstage touring with Hendrix, and his time with Hawkwind to creating speed metal and forming the legendary band Motörhead, this is the truly epic finale, and tribute, to Lemmy from those who loved him best.

A first-ever revealing and candid look at the life and career of one of Hollywood’s brightest and most beloved stars, Maureen O’Hara. In an acting career of more than seventy years, Hollywood legend Maureen O’Hara came to be known as “the queen of Technicolor” for her fiery red hair and piercing green eyes. She had a reputation as a fiercely independent thinker and champion of causes, particularly those of her beloved homeland, Ireland. In ‘Tis Herself, O’Hara recounts her extraordinary life and proves to be just as strong, sharp, and captivating as any character she played on-screen. O’Hara was brought to Hollywood as a teenager in 1939 by the great Charles Laughton, to whom she was under contract, to costar with him in the classic film The Hunchback of Notre Dame. She has appeared in many other classics, including How Green Was My Valley, Rio Grande, The Quiet Man, and Miracle on 34th Street. She recalls intimate memories of working with the actors and directors of Hollywood’s Golden Age, including Laughton, Alfred Hitchcock, Tyrone Power, James Stewart, Henry Fonda, and John Candy. With characteristic frankness, she describes her tense relationship with the mercurial director John Ford, with whom she made five films, and her close lifelong friendship with her frequent costar John Wayne. Successful in her career, O’Hara was less lucky in love until she met aviation pioneer Brigadier General Charles F. Blair, the great love of her life, who died in a mysterious plane crash ten years after their marriage. Candid and revealing, ‘Tis Herself is an autobiography as witty and spirited as its author.

The Golden Girl of British cycling opens up, for the first time, in searingly honest detail about what drives her to compete in a sport she no longer loves. Written with Donald McRae, 2 time winner of the William Hill Award, “Between the Lines” is THE Olympic autobiography.

From the Foreword by Nadine Gordimer: "These pieces are meditations which echo that which was, has been, and is the writer Mahfouz. They are--in the words of the title of one of the prose pieces--'The Dialogue of the Late Afternoon' of his life. I don't believe any autobiography, with its inevitable implication of self-presentation, could have matched what we have here." With more than 500,000 copies of his books in print, Naguib Mahfouz has established a following of readers for whom Echoes of an Autobiography provides a unique opportunity to catch an intimate glimpse into the life and mind of this magnificent storyteller. Here, in his first work of nonfiction ever to be published in the United States, Mahfouz considers the myriad perplexities of existence, including preoccupations with old age, death, and life's transitory nature. A surprising and delightful departure from his bestselling and much-loved fiction, this unusual and thoughtful book is breathtaking evidence of the fact that Naguib Mahfouz is not only a "storyteller of the first order" (Vanity Fair), but also a profound thinker of the first order.