After attaining approval from the governor to form a city on April 21, 1821, Gainesville, Georgia, transformed into a commercial and resort area that soon attracted a street railway. When its line was expanded in 1877, Green Street eventually became one of the most desirable places to raise a family. Even after a fire nearly destroyed the town in 1851, its determined residents persevered. In 1975, the Green Street homes were placed in the Green Street Historic District and on the National Registry. Within a fascinating presentation, Helen Martin looks beyond the jewels and grandeur to capture the past and offer a glimpse into the versatile house designs of North Green Street. Some of the homes described include the Martin–Matthews–Norton house built at (58) 393 Green Street between 1910 and 1911; the Wallace House at 417 Green Street, constructed at around 1900; and the Nalley Martin house, one of the last homes erected in 1938. Included are historical photographs and additional details regarding the twenty-five homes that fell in the name of progress. Beyond the Jewels and Grandeur is an architecture book you’ll definitely want in your bookshelf. It shares the architectural history of a beloved street in Gainesville, Georgia, as its homes and residents endured changes through both simple and challenging times.

This inspiring memoir by Michael Simmons highlights his mothers efforts to protect her children from her alcoholic, abusive husband. After a DWI results in him losing his job, Michaels father moves his family from Arkansas to Missouri, where losing another job means the family moves to a small house in the Arkansas countryside. His mother takes on picking cotton to earn money for the childrens Christmas presents. Another job loss, another move: the stress and uncertainty in his familys life creates insecurity and loneliness for Mike. He is finally befriended by a woman who takes him to church with her and introduces him to God. The Blue House places Mikes experiences alongside insightful commentary by Dr. Daniel Middlebrooks, who observes the life lessons Mike learns in a manner that guides readers to examine their own lives and find answers to their questions in scripture and self-reflection.

A detailed historical study of the buildings of Mayfair and St James'sShort, accessible and informative anecdotes about buildings and monumentsPhotographs accompanied by black-and-white pictures and period art* The book was written during the Lockdown of 2020, and contains a Foreword by Alain de Botton with reflections on the importance of appreciating our immediate surroundings"This is at one level a book about a part of London and its buildings. At another, it's a book about learning to savour our lives" - Alain de BottonTake a walk around a park trodden by many but known by few. From Lancaster House, venue of famous speeches and summits, to 100 Piccadilly, the stage of an ongoing Soviet-themed reality experience, The Buildings of Green Park captures the unseen history of these well-travelled streets.Green Park boasts a plethora of London landmarks, including Bridgewater House and the Canada Gates. The Buildings of Green Park gives each of these sites the attention they deserve, while also celebrating a multitude of overlooked buildings: those that are passed every day without comment from the guides. Local history, old photographs, paintings and floorplans offer a tantalizing peek into the backstory behind these backdrops. Moving through the winter and into the spring, Andrew Jones's crisp photography captures a London shaped by past, present and hopes for the future.

An exquisitely photographed collection of the great houses and mansions of the South. In the tradition of Rizzoli’s Historic Houses of the Hudson Valley and Great Houses of New England, Great Houses of the South features a stunning array of newly photographed homes that range over three centuries and are distinctive examples of the architecture of the region. While in popular imagination the "Southern Style" is embodied in the classic Southern plantation house with its Greek Revival detailing—its stately white columns, wide porch, and symmetrical shape—the houses themselves are much more various and engaging, as shown in this important volume. From stately Stanton Hall of Natchez, Mississippi, one of the most magnificent and palatial residences of antebellum America; to Longue Vue House and Gardens of New Orleans, the luxurious Classical Revival–style home of Edgar and Edith Stern; to the fabled Biltmore of Asheville, North Carolina, the opulent French Renaissance–inspired chateau and Gilded Age estate of George Washington Vanderbilt, this lavish volume is comprehensive in scope and a landmark work of enduring interest to homeowners, architects, architecture historians, and all those who love fine architecture.

IMAGES' third monograph on the outstanding new classicist, William T. Baker.

"Between the 1860s and 1920s, Chicago's working-class immigrants designed the American dream of home-ownership. They imagined homes as small businesses, homes that were simultaneously a consumer-oriented respite from work and a productive space that workers hoped to control. Leapfrogging out of town along with Chicago's assembly-line factories, Chicago's early suburbs were remarkably diverse. These suburbs were marketed with the elusive promise that homeownership might offer some bulwark against the vicissitudes of industrial capitalism, that homes might be "better than a bank for a poor man, " in the words of one evocative advertisement, and "the working man's reward." This promise evolved into what Lewinnek terms "the mortgages of whiteness:" the hope that property values might increase if that property could be kept white. Suburbs also developed through nineteenth-century notions of the gendered respectability of domesticity, early ideas about city planning and land economics, as well as an evolving twentieth-century discourse about the racial attributes of property values. Because Chicago presented itself as a paradigmatic American city and because numerous Chicago-based experts eventually instituted national real-estate programs, Chicago's early growth affected the growth of twentieth-century America. Framed by two working-class riots against suburbanization in 1872 and 1919, spurred from both above and below, this work shows how Chicagoans helped form America's urban sprawl and examines the roots of America's suburbanization, synthesizing the new suburban history into the diversity of America's suburbs"--

"Between 1950 and 1975, some of the postwar era's most innovative artists flocked to a very unexpected place: New Jersey. Appreciating what others tended to ignore or mock, they gravitated to the state's most desolate peripheries: its industrial wastescapes, crumbling cities, crowded highways, and banal suburbs. There they produced some of the most important work of their careers. The breakthroughs in land, conceptual, performance, and site-specific art that New Jersey helped catalyze are the subject of New Jersey as Non-Site, whose title evokes the mixed-media sculptures that Robert Smithson began to create in 1968 while driving the state's highways with Nancy Holt. This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Allan Kaprow, Gordon Matta-Clark, and George Segal. Organized around three themes--ruin, cooperation, and displacement--Kelly Baum's essay considers their work in relationship to seismic shifts in the world of art and equally dramatic changes to New Jersey's economy, infrastructure, landscape, demography, and social stability."--