Beyond Katrina is poet Natasha Trethewey’s very personal profile of her natal Mississippi Gulf Coast and of the people there whose lives were forever changed by Hurricane Katrina in 2005. Trethewey’s attempt to understand and document the damage to Gulfport started as a series of lectures at the University of Virginia that were subsequently published as essays in the Virginia Quarterly Review. For Beyond Katrina, Trethewey expanded this work into a narrative that incorporates personal letters, poems, and photographs, offering a moving meditation on the love she holds for her childhood home. In this new edition, Trethewey looks back on the ten years that have passed since Katrina in a new epilogue, outlining progress that has been made and the challenges that still exist.

This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ

Do civilizations independently invent themselves or are they the result of cultural diffusion? The contributors to this volume do not attempt to provide a definitive answer to this contentious question, one of the most debated issues of the past century. Instead, they shift the focus from theory to reality by presenting empirical evidence on a wide range of cultural phenomena in history and prehistory, thereby demonstrating the processes whereby cultural traits are acquired and modified—the dynamics of transmission and transformation. The range of topics covered in this volume is of extraordinary breadth: the distribution of belt hooks and belts from the steppes to North and Central China; textile exchange in the third millennium B.C.; the spread of bronze metallurgy across Asia; the adaptation of complicated technologies by distant peoples; the mechanisms whereby bronze implements were used to convey political messages in East Asia; the ethnogenesis of the Turks; the complex interrelationships among migratory and settled peoples in western Central Asia during the Bronze Age; the origins of the enigmatic Chinese goddess known as Queen Mother of the West; an account of hunting with trained cheetahs; and the use of abundant botanical and zoological evidence to affirm that the Old World and the New World must have been in contact long before the fifteenth century. Rounding out the volume is a survey of the problem of modernocentrism.

With heart, intelligence and a rare ability to illuminate the struggles inherent in ordinary lives, Tom Perrotta's The Leftovers—now adapted into an HBO series—is a startling, thought-provoking novel about love, connection and loss. What if—whoosh, right now, with no explanation—a number of us simply vanished? Would some of us collapse? Would others of us go on, one foot in front of the other, as we did before the world turned upside down? That's what the bewildered citizens of Mapleton, who lost many of their neighbors, friends and lovers in the event known as the Sudden Departure, have to figure out. Because nothing has been the same since it happened—not marriages, not friendships, not even the relationships between parents and children. Kevin Garvey, Mapleton's new mayor, wants to speed up the healing process, to bring a sense of renewed hope and purpose to his traumatized community. Kevin's own family has fallen apart in the wake of the disaster: his wife, Laurie, has left to join the Guilty Remnant, a homegrown cult whose members take a vow of silence; his son, Tom, is gone, too, dropping out of college to follow a sketchy prophet named Holy Wayne. Only Kevin's teenaged daughter, Jill, remains, and she's definitely not the sweet "A" student she used to be. Kevin wants to help her, but he's distracted by his growing relationship with Nora Durst, a woman who lost her entire family on October 14th and is still reeling from the tragedy, even as she struggles to move beyond it and make a new start. A New York Times Notable Book for 2011 A Washington Post Notable Fiction Book for 2011 A USA Today 10 Books We Loved Reading in 2011 Title One of NPR's 10 Best Novels of 2011

For courses in Freshman Composition and English. Global reader integrates readings, images, and internet resources, and is designed to help students think and write like a global citizen. It encourages students to step back to view America and other cultures in a broader context.