Did Shakespeare write Shakespeare? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon.

What does it mean to perform Shakespeare in languages other than English and how do audiences respond?

Reading Shakespeare in Jewish Theological Frameworks: Shylock Beyond the Holocaust uses Jewish theology to mount a courageous new reading of a four-hundred-year-old play, The Merchant of Venice. While victimhood and antisemitism have been the understandable focus of the Merchant critical history for decades, Lion urges scholars, performers, and readers to see beyond the racism in Shakespeare's plays by recovering Shakespearean themes of potentiality and human flourishing as they emerge within the Jewish tradition itself. Lion joins the race conversation in Shakespeare studies today by drawing on the intellectual history and oppression of the Jewish people, borrowing from thinkers Franz Rosenzweig and Abraham Joshua Heschel as well as Hannah Arendt, Walter Benjamin, Jacques Derrida, Emmanuel Levinas, and rabbis from the Talmud to today. This volume interweaves post-confessional, Protestant, Catholic, Muslim, Jewish, and mystical ideas with Shakespeare's poetry and opens conversations of prophecy, love, spirituality, care, and community. It concludes with brief critical sketches of Antony and Cleopatra, Hamlet, and Macbeth to demonstrate that Shakespeare when interpreted through Jewish theological frameworks can point to post-credal solutions and transformed societal paradigms of repair that encourage action and the shaping of a finer world.

The Book the Shakespeare Birthplace Trust Doesn't Want You to Read: Shakespeare Beyond Doubt? Never has the case against the Stratford man been made so clear and compelling. Unsettled by the growing success of the Shakespeare Authorship Coalition and its online Declaration of Reasonable Doubt About the Identity of William Shakespeare, the Shakespeare Birthplace Trust in Stratford-upon-Avon has published a book insisting that the identity of the author William Shakespeare is "beyond doubt." In this withering reply a dozen scholars expose the bankruptcy of this claim and challenge the Birthplace Trust to stand and defend its position under cross-examination in a televised mock trial. "Authorities tell us there is no doubt that Shakespeare wrote Shakespeare. Should we trust them? This book comes at a critical time, with defenders of orthodoxy deceiving the public about how weak their case really is. It is time for a serious re-examination of the evidence. This book does just that." - Richard Waugaman, M.D., Clinical Professor of Psychiatry; Faculty Expert on Shakespeare for Media Contacts, Georgetown University, Washington, D. C.

Michael Anderegg investigates how Shakespeare films constitute an exciting & ever-changing film genre. He looks closely at films by Olivier, Welles, & Branagh, as well as postmodern Shakespeares & multiple adaptations over the years of 'Romeo and Juliet'.

Some film and novel revisions go so far beyond adaptation that they demand a new designation. This critical collection explores movies, plays, essays, comics and video games that supersede adaptation to radically transform their original sources. Fifteen essays investigate a variety of texts that rework everything from literary classics to popular children's books, demonstrating how these new, stand-alone creations critically engage their sources and contexts. Particular attention is paid to parody, intertextuality, and fairy-tale transformations in the examination of these works, which occupy a unique narrative and creative space.

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