Beyond Heaven: Chicago House Party Flyers from 1983-1989 catalogs a collection of flyers and other house music related ephemera from the years 1983 to 1989, courtesy of Mario "Liv It Up" Luna, a DJ living in the Pilsen neighborhood of Chicago during this time. These flyers, also called pluggers, were used for promotional purposes. They would be placed in record stores and passed out at schools and on the street to help get the word out about upcoming house music events. Although by no means encyclopedic, this collection documents a variety of figures from Chicago's emerging house scene: first generation "kings of house" alongside the WBMX Hot Mix 5 and other lesser-known DJs at a variety of venues. Also included in the mix are promoters, record stores, labels, and an assortment of party crews and dance groups who contributed to the growth and atmosphere of house music in Chicago. This book offers a taste of what many consider to be the best times of their lives, and for others acts as a gateway to one of greatest eras in the history of Chicago music.

This book catalogs a collection of flyers and other house music related ephemera from the years 1983 to 1989, courtesy of Mario "Liv It Up" Luna, a DJ living in the Pilsen neighborhood of Chicago during this time. These flyers, also called pluggers, were used for promotional purposes. They would be placed in record stores and passed out at schools and on the street to help get the word out about upcoming house music events. Although by no means encyclopedic, this collection documents a variety of figures from Chicago's emerging house scene: first generation "kings of house" alongside the WBMX Hot Mix 5 and other lesser-known DJs at a variety of venues. Also included in the mix are promoters, record stores, labels, and an assortment of party crews and dance groups who contributed to the growth and atmosphere of house music in Chicago. This book offers a taste of what many consider to be the best times of their lives, and for others acts as a gateway to one of greatest eras in the history of Chicago music.

This book catalogs a collection of flyers and other house music related ephemera from the years 1983 to 1989, courtesy of Mario "Liv It Up" Luna, a DJ living in the Pilsen neighborhood of Chicago during this time. These flyers, also called pluggers, were used for promotional purposes. They would be placed in record stores and passed out at schools and on the street to help get the word out about upcoming house music events. Although by no means encyclopedic, this collection documents a variety of figures from Chicago's emerging house scene: first generation "kings of house" alongside the WBMX Hot Mix 5 and other lesser-known DJs at a variety of venues. Also included in the mix are promoters, record stores, labels, and an assortment of party crews and dance groups who contributed to the growth and atmosphere of house music in Chicago. This book offers a taste of what many consider to be the best times of their lives, and for others acts as a gateway to one of greatest eras in the history of Chicago music.

A catalog of an exhibition that surveys the history of international graffiti and street art.

This is an innovative contribution to the study of popular culture, focusing on the youth cultures that revolve around dance clubs and raves.

Technology and increasing levels of education have exposed people to more information than ever before. These societal gains, however, have also helped fuel a surge in narcissistic and misguided intellectual egalitarianism that has crippled informed debates on any number of issues. Today, everyone knows everything: with only a quick trip through WebMD or Wikipedia, average citizens believe themselves to be on an equal intellectual footing with doctors and diplomats. All voices, even the most ridiculous, demand to be taken with equal seriousness, and any claim to the contrary is dismissed as undemocratic elitism. Tom Nichols' The Death of Expertise shows how this rejection of experts has occurred: the openness of the internet, the emergence of a customer satisfaction model in higher education, and the transformation of the news industry into a 24-hour entertainment machine, among other reasons. Paradoxically, the increasingly democratic dissemination of information, rather than producing an educated public, has instead created an army of ill-informed and angry citizens who denounce intellectual achievement. When ordinary citizens believe that no one knows more than anyone else, democratic institutions themselves are in danger of falling either to populism or to technocracy or, in the worst case, a combination of both. An update to the 2017breakout hit, the paperback edition of The Death of Expertise provides a new foreword to cover the alarming exacerbation of these trends in the aftermath of Donald Trump's election. Judging from events on the ground since it first published, The Death of Expertise issues a warning about the stability and survival of modern democracy in the Information Age that is even more important today.