In recent years, it’s become increasingly clear that emotion plays a central role in global politics. For example, people readily care about acts of terrorism and humanitarian crises because they appeal to our compassion for human suffering. These struggles also command attention where social interactions have the power to produce or intensify the emotional responses of those who participate in them. From passionate protests to poignant speeches, Andrew A. G. Ross analyzes high-emotion events with an eye to how they shape public sentiment and finds that there is no single answer. The politically powerful play to the public’s emotions to advance their political aims, and such appeals to emotion also often serve to sustain existing values and institutions. But the affective dimension can produce profound change, particularly when a struggle in the present can be shown to line up with emotionally resonant events from the past. Extending his findings to well-studied conflicts, including the War on Terror and the violence in Rwanda and the Balkans, Ross identifies important sites of emotional impact missed by earlier research focused on identities and interests.

The fact that the vast majority of people on earth today were born after the end of the Second World War should not be used by anybody as a pretext to claim ignorance of the horrors to which the human family was subjected during that devastating war. Fortunately, technology has made it possible for those scenes of horror at the concentration camps and elsewhere to be viewed many times over. As can be observed from the films, a calculated attempt was made to exterminate Jews from the face of the earth. Moreover, in that diabolical, unprecedented, and evil grand design in the history of humanity, millions of people from the four corners of the earth perished while a lot of wealth and infrastructures were destroyed. The USA participated in that war because it thought it would be a war to end all wars. Unfortunately, that war did not end all wars. Rather, the world has continued to witness wars and increased acts of terror globally. Both the young and the old have continued to shed tears and blood as a result of barbaric acts of terrorism. No one is spared. I had not fully recovered from the shock I received on hearing that someone, somewhere in our present world, questioned the veracity of the genocide perpetrated against the Jews during World War II when the unthinkable acts of terror against the World Trade Center and the Pentagon occurred on September 11, 2001. Since those horrendous attacks happened, world leaders have persistently called for a global coalition to wage war against terrorism. It is in response to those calls for concerted action against terrorism that this book is written. Its aim is not to grieve for, defend, or condemn any country or group of countries but to expose the root-causes of global terrorism and recommend remedial action. This line of approach is in recognition of the fact that the brutal attacks on the World Trade Center and the Pentagon were not directed against the American people alone but against the entire human family as the nationalities of the victims indicate and given the havoc that terrorists have unleashed on humanity across the ages.

Beyond Hate offers a critical ethnography of the virtual communities established and discursive networks activated through the online engagements of white separatists, white nationalists, and white supremacists with various popular cultural texts, including movies, music, television, sport, video games, and kitsch. Outlining the ways in which advocates of white power interpret popular cultural forms, and probing the emergent spaces of white power popular culture, it examines the paradoxical relationship that advocates of white supremacy have with popular culture, as they finding it to be an irresistible and repugnant reflection of social decay rooted in multiculturalism. Drawing on a range of new media sources, including websites, chat rooms, blogs and forums, this book explores the concerns expressed by advocates of white power, with regard to racial hierarchy and social order, the crisis of traditional American values, the perpetuation of liberal, feminist, elitist ideas, the degradation of the family and the fetishization of black men. What emerges is an understanding of the instruments of power in white supremacist discourses, in which a series of connections are drawn between popular culture, multiculturalism, sexual politics and state functions, all of which are seen to be working against white men. A richly illustrated study of the intersections of white power and popular culture in the contemporary U.S., and the use of use cyberspace by white supremacists as an imagined site of resistance, Beyond Hate will appeal to scholars of sociology and cultural studies with interests in race and ethnicity, popular culture and the discourses of the extreme right.

Leaving New York City for a less demanding life style, Daniel More, a forensic psychiatrist, has settled in upstate New York. Starting over is not easy, as the tension between him and his wife, Nancy, fails to dissipate with the move. Unfortunately, the loving relationship between More and his daughter, Elizabeth, remains overshadowed by the tension in the marriage. Starting with a flat tire, the doctor becomes convinced he is being harassed. The situation is mostly annoying, until More awakes one morning to find his wife dead, apparently stabbed to death while he slept beside her. Dr. More fights to prove his innocence against a background of further tragedy and pain, both motivated and burdened by the love for his daughter.

Drawing on a range of new media sources, including websites, chat rooms, blogs and forums, this book explores the concerns expressed by advocates of white power, with regard to racial hierarchy and social order, the crisis of traditional American values, the perpetuation of liberal, feminist, elitist ideas, the degradation of the family and the fetishization of black men. What emerges is an understanding of the instruments of power in white supremacist discourses, in which a series of connections are drawn between popular culture, multiculturalism, sexual politics and state functions, all of which are seen to be working against white men.