Beyond Haiku peeks through the cockpit door to reveal the poetic heart of airline pilots. Captain Linda Pauwels, instructor pilot on the Boeing 787 and former aviation columnist for the Orange County Register, presents a selection of haiku and short poems by men and women who fly airplanes for a living. The writing is niche and empathetic. The humor is characteristically wry, befitting the pilot persona. Beautiful illustrations, by children of pilots aged 6 to 17, bring this flight of fancy in for a smooth landing. Proceeds from Beyond Haiku will go to the Allied Pilots Association Emergency Relief and Scholarship Fund, to provide support for pilots impacted by industry effects of COVID-19.

Far Beyond the Field is a first-of-its-kind anthology of haiku by Japanese women, collecting translations of four hundred haiku written by twenty poets from the seventeenth century to the present. By arranging the poems chronologically, Makoto Ueda has created an overview of the way in which this enigmatic seventeen-syllable form has been used and experimented with during different eras. At the same time, the reader is admitted to the often marginalized world of female experience in Japan, revealing voices every bit as rich and colorful, and perhaps even more lyrical and erotic, than those found in male haiku. Listen, for instance, to Chiyojo, who worked in what has been long thought of as the dark age of haiku during the eighteenth century, but who composed exquisitely fine poems tracing the smallest workings of nature. Or Katsuro Nobuko, who wrote powerfully erotic poems when she was widowed after only two years of marriage. And here, too, is a voice from today, Mayuzumi Madoka, whose meditations on romantic love represent a fresh new approach to haiku.

Boki's predicament : Sandalwood and the China trade -- Make's dance : Migrant workers and migratory animals -- Kealoha in the Arctic : Whale blubber and human bodies -- Kailiopio and the tropicbird : Life and labor on a Guano Island -- Nahoa's tears : Gold, dreams, and diaspora in California -- Beckwith's Pilikia : "Kanakas" and "Coolies" on Haiku plantation -- Epilogue : Legacies of capitalism and colonialism

A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.

A fascinating little illustrated series of 118 haiku about the Periodic Table of Elements, one for each element, plus a closing haiku for element 119 (not yet synthesized). Originally appearing in Science magazine, this gifty collection of haiku inspired by the periodic table of elements features all-new poems paired with original and imaginative line illustrations drawn from the natural world. Packed with wit, whimsy, and real science cred, each haiku celebrates the cosmic poetry behind each element, while accompanying notes reveal the fascinating facts that inform it. Award-winning poet Mary Soon Lee's haiku encompass astronomy, biology, chemistry, history, and physics, such as "Nickel, Ni: Forged in fusion's fire,/flung out from supernovae./Demoted to coins." Line by line, Elemental Haiku makes the mysteries of the universe's elements accessible to all.

'A revelation' Sunday Times, Books of the Year 2018 The first Penguin anthology of Japanese haiku, in vivid new translations by Adam L. Kern. Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running three lines long in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form. Adam L. Kern's new translations are accompanied here by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period.

A collection of haikus follows a Valentine's Day theme and combine an introduction to the poetic form with cartoon-style illustrations.