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“A Grade A thriller . . . twisted, near-omnipotent villains, brutal violence, sharp plot twists, solid (and enthralling) historical research.” —The Vancouver Sun Canadian Mountie Robert DeClercq and his Special X team are facing down a stolen mummy with a trail of corpses in its wake. The question is: Is this the work of one killer? Or is it some sort of diabolical conspiracy? DeClercq’s investigation leads him to a local porn king who specializes in snuff videos and a fresh trail of mutilated female bodies being dumped around the Gulf Islands. But just when DeClercq narrows in on the criminality behind these abominable murders, an old enemy returns. Not only is Mephisto determined to destroy DeClercq once and for all, but this megalomaniac won’t stop until he puts all of humanity at the brink of Death’s Door. . . . “There are psycho thrillers and there are psycho thrillers, and the ones to watch are those by Michael Slade. This high-powered mystery stars a psycho so heinous that you might want to take a deep breath before starting this baffling case. [Death’s Door is] a story to be read with caution.” —Ottawa Citizen “There isn’t a precedent for the barbaric brilliance of a Slade novel. With its well-researched, candid ventures into the most deranged of sick psyches, Death’s Door is a witches’ brew of intense intellectualism, police procedure, and white-knuckle, wince-inducing gore.” —Rue Morgue “Slade has finely honed his skills . . . You’ll be up all night reading it and, before you finally sleep, you’ll check under the bed.” —The Vancouver Sun/DESC

All through recorded history people have predicted life after death. But only now, with modern resuscitation methods, are we beginning to see Beyond Death's Door. Does death represent the end of this life or the beginning of another? Does anyone know what happens after death? Has anyone been there? What does it feel like? Is there evidence to support the biblical descriptions of hell? Anyone who has ever pondered these important questions will find new, fascinating food for thought in Beyond Death's Door, a significant book by a leading heart specialist the recounts the experiences of individuals who have survived clinical death and returned to tell us about it.

A “brilliant and fascinating” (Eben Alexander, MD, author of Proof of Heaven) exploration—rich with powerful personal stories and convincing research—of the many ways the living can and do accompany the dying on their journey into the afterlife. In 2000, end-of-life therapist William Peters was volunteering at the Zen Hospice Project in San Francisco when he had an extraordinary experience as he was reading aloud to a patient: he suddenly felt himself floating midair, completely out of his body. The patient, who was also aloft, looked at him and smiled. The next moment, Peters felt himself return to his body…but his patient never regained consciousness and died. Perplexed and stunned by what had happened, Peters began searching for other people who’d shared similar experiences. He would spend the next twenty years gathering and meticulously categorizing their stories to identify key patterns and features of what is now known as the “shared crossing” experience. The similarities, which cut across continents and cultures and include awe-inspiring visual and sensory effects, and powerful emotional aftershocks. The book is filled with “moving and tender” (Jack Kornfield, PhD, author of A Path with Heart) tales of spouses seeing their loved ones reach the other side after decades together and bereaved parents who share their children’s entry into the afterlife. Applying rigorous research, Peters digs into the effects of these shared crossing experiences impart—liberation at the sight of a loved one finding joy, a sense of reconciliation if the relationship was fraught—and explores questions like: What can explain these shared death experiences? How can we increase our likelihood of having one? What do these experiences tell us about what lies beyond? And, most importantly, how can they help take away the string of death and better prepare us for our own final moments? How can we have both a better life and a better death?

Outlines a less invasive, more humane approach to end-of-life care, sharing the stories of the author's parents and explaining the political and technological factors that are interfering with patient preferences.

This book is not quite like other books about the Titanic. As the title suggests, it is an attempt to explore the more transcendental aspects of the Titanic story - those suggesting a non-mechanistic universe. The subjects include premonitions, apparitions, out-of-body experiences, telepathic communication among the living, and after-death communication, many related to the Titanic passengers, others offered in support of the Titanic phenomena. Many of them have to do with other ocean tragedies. Chief among the Titanic passengers in this book is William T. Stead, a British journalist, who did not survive the disaster but apparently survived in another dimension, from which he communicated in the weeks following his death. . The Titanic story offers us the opportunity to examine death in a safe haven with the added bonus that, unlike most stories involving death, the parties actually have time to contemplate theirs death, some to escape, some to succumb. More than any other modern story, the Titanic might be viewed as a microcosm of life, a "community" isolated in the vast reaches of the ocean, one offering wealth and poverty, the opulence of first class and the ordinariness of steerage class, with a middle or second class in between. Every type of emotion, mindset, virtue and vice is represented - love and fear, hope and despair, bravery and cowardice, arrogance and humbleness, pomp and shame, selfishness and brotherhood. To accent it all, the iceberg impacted by the leviathan was reported as being a rare black berg looming high over the vessel, as if a giant evil predator. More than anything though, the Titanic story represents the struggle between man's inner and outer self, a struggle which many people are interested in but prefer to avoid except in books or movies.