THE IRISH BESTSELLER 'Ferriter has richly earned his reputation as one of Ireland's leading historians' Irish Independent 'Absorbing ... A fascinating exploration of the Civil War and its impact on Ireland and Irish politics' Irish Times In June 1922, just seven months after Sinn Féin negotiators signed a compromise treaty with representatives of the British government to create the Irish Free State, Ireland collapsed into civil war. While the body count suggests it was far less devastating than other European civil wars, it had a harrowing impact on the country and cast a long shadow, socially, economically and politically, which included both public rows and recriminations and deep, often private traumas. Drawing on many previously unpublished sources and newly released archival material, one of Ireland's most renowned historians lays bare the course and impact of the war and how this tragedy shaped modern Ireland.

Hard-nosed scholarship and moral passion underpin Diarmaid Ferriter's work. Now he turns to the key years of the 70s, when after half a century of independence, questions were being asked about the old ways of doing things. Ambiguous Republic considers the widespread social, cultural, economic and political upheavals of the decade, a decade when Ireland joined the EEC; when for the first time a majority of the population lived in urban areas; when economic challenges abounded; which saw too an increasingly visible feminist moment, and institutions including the Church began to be subjected to criticism.Diarmaid Ferriter's earlier books have been described as 'a landmark' and 'an immense contribution'; making 'brilliant use of new sources'; 'prodigiously gifted', and 'ground-breaking'. All those words apply to this important book based on recently opened archives and unique access to the papers of Jack Lynch and Liam Cosgrave.

A ground-breaking history of the twentieth century in Ireland, written on the most ambitious scale by a brilliant young historian. It is significant that it begins in 1900 and ends in 2000 - most accounts have begun in 1912 or 1922 and largely ignored the end of the century. Politics and political parties are examined in detail but high politics does not dominate the book, which rather sets out to answer the question: 'What was it like to grow up and live in 20th-century Ireland'? It deals with the North in a comprehensive way, focusing on the social and cultural aspects, not just the obvious political and religious divisions.

In the aftermath of the First World War, a political revolution took place in what was then the United Kingdom. Such upheavals were common in postwar Europe, as new states came into being and new borders were forged. What made the revolution in the UK distinctive is that it took place within one of the victor powers, rather than any of their defeated enemies. In the years after the Easter Rising of 1916 in Ireland, a new independence movement had emerged, and in 1918-19 the political party Sinn Féin and its paramilitary partner, the Irish Republican Army, began a political struggle and an armed uprising against British rule. By 1922 the United Kingdom has lost a very substantial portion of its territory, as the Irish Free State came into being amidst a brutal Civil War. At the same time Ireland was partitioned and a new, unionist government was established in what was now Northern Ireland. These were outcomes that nobody could have predicted before 1914. In The Irish War of Independence and Civil War, experts on the subject explore the experience and consequences of the latter phases of the Irish revolution from a wide range of perspectives.

Not since Hunter Thompson's seminal Hells Angels: A Strange & Terrible Saga of the Outlaw Motorcycle Gangs in 1967 has there been such a thorough account of the Angels. This book documents the gang's bumpy ride from its origins as a Stateside club for WWII fighter pilots to its freewheeling terror tactics of the early sixties, to its absurd flirtation with the hippie scene, to its current status as one of the most powerful underground organisations in North America, rivalling even the Mafia.

In July 1942, the French police in Paris, acting for the German military government, arrested Victor Ripp’s three-year-old cousin, Alexandre. Two months later, the boy was killed in Auschwitz. In Hell’s Traces, Ripp examines this act through the prism of family history. In addition to Alexandre, ten members of Ripp’s family on his father’s side died in the Holocaust. His mother’s side of the family, numbering thirty people, was in Berlin when Hitler came to power. Without exception they escaped the Final Solution. Hell’s Traces tells the story of the two families’ divergent paths. To spark the past to life, he embarks on a journey to visit Holocaust memorials throughout Europe. “Could a stone pillar or a bronze plaque or whatever else constitutes a memorial,” he asks, “cause events that took place more than seven decades ago to appear vivid?” A memorial in Warsaw that includes a boxcar like the ones that carried Jews to Auschwitz compels Ripp to contemplate the horror of Alexandre’s transport to his death. One in Berlin that invokes the anti-Jewish laws of the 1930s allows him to better understand how his mother’s family escaped the Nazis. In Paris he stumbles across a playground dedicated to the memory of the French children who were deported, Alexandre among them. Ultimately, Ripp sees thirty-five memorials in six countries. He encounters the artists who designed the memorials, historians who recall the events that are memorialized, and survivors with their own stories to tell. Resolutely unsentimental, Hell’s Traces is structured like a travelogue in which each destination enables a reckoning with the past.

The Union of Arcana has become the most powerful civilization in human history, expanding through the portals linking parallel universes and laying claim to one uninhabited planet after another. But now the Union's scouts have discovered a new portal, on the far side of which lies a shattering revelation.