This interdisciplinary collection of essays on the social and cultural life of late imperial Russia describes the struggle of new elites to take up a "middle position" in society--between tsar and people. During this period autonomous social and cultural institutions, pluralistic political life, and a dynamic economy all seemed to be emerging: Russia was experiencing a sense of social possibility akin to that which Gorbachev wishes to reanimate in the Soviet Union. But then, as now, diversity had as its price the potential for political disorder and social dissolution. Analyzing the attempt of educated Russians to forge new identities, this book reveals the social, cultural, and regional fragmentation of the times. The contributors are Harley Balzer, John E. Bowlt, Joseph Bradley, William C. Brumfield, Edith W. Clowes, James M. Curtis, Ben Eklof, Gregory L. Freeze, Abbott Gleason, Samuel D. Kassow, Mary Louise Loe, Louise McReynolds, Sidney Monas, John O. Norman, Daniel T. Orlovsky, Thomas C. Owen, Alfred Rieber, Bernice G. Rosenthal, Christine Ruane, Charles E. Timberlake, William Wagner, and James L. West. Samuel D. Kassow has written a conclusion to the volume.

God, Tsar, and People brings together in one volume essays written over a period of fifty years, using a wide variety of evidence—texts, icons, architecture, and ritual—to reveal how early modern Russians (1450–1700) imagined their rapidly changing political world. This volume presents a more nuanced picture of Russian political thought during the two centuries before Peter the Great came to power than is typically available. The state was expanding at a dizzying rate, and atop Russia's traditional political structure sat a ruler who supposedly reflected God's will. The problem facing Russians was that actual rulers seldom—or never—exhibited the required perfection. Daniel Rowland argues that this contradictory set of ideas was far less autocratic in both theory and practice than modern stereotypes would have us believe. In comparing and contrasting Russian history with that of Western European states, Rowland is also questioning the notion that Russia has always been, and always viewed itself as, an authoritarian country. God, Tsar, and People explores how the Russian state in this period kept its vast lands and diverse subjects united in a common view of a Christian polity, defending its long frontier against powerful enemies from the East and from the West.

Challenging traditional interpretations of the roles of royal women in patriarchal Muscovite society, Between God and Tsar opens a new approach to understanding medieval Russia. Drawing upon a wide range of sources in anthropology, sociology, art history, and literature, it sheds light on the lives of the tsaritsy, about which little has been known, and on the culture surrounding them. This pioneering study demonstrates that the wives of the early tsars played complex roles in government, especially during times of crisis, and shows how religious culture perpetuated the expressions of their legitimacy as female rulers. Muscovite Russia's values were sanctioned by religion, and it is through religious images that the royal women's claims to rulership can be seen most clearly. Thyrêt explores Orthodox iconography--such as that of the Golden Palace of the Tsaritsy, which proclaims Irina Godunova's right to act as an independent ruler--and shows how the Muscovite court used gendered images to reveal the spiritual power of female rulers. Myths and legends adapted from one generation to another also underscore royal wives' claim to authority based on their great spiritual power. Illuminating medieval Russia's art, literature, and culture, Between God and Tsar opens new ways to understand the tsaritsy. Students of Russian history have often wondered how and why, under the Romanovs, female rulers governed so often. Thyrêt's broadly researched study provides an answer. Between God and Tsar offers stimulating insights into the power of Russia's royal women and how it was manifest in Muscovite culture.

The author traces the ruler cult from its tenth-century origins to its demise late in the nineteenth century, pointing out that the princes of Russian history are seen as saints both through their actions and through their function as mediator between God and people.

At the close of the nineteenth century, Russia -- soon to be called the Soviet Union -- was a monarchy ruled absolutely by the omnipotent Czar, Nicholas II. His reign was a time of pomp and circumstance, with the extravagant and often graceful life style of the aristocrats, and -- among the peasants -- political unrest, extreme poverty, and recurring famine. Kyril Fitzlyon and Tatiana Browning have collaborated on a marvelous pictorial documentary volume evoking this past, Czarist Russia before it disappeared forever in The Revolution. Rare, never-before [seen] photographs depict the home life of the Imperial family; but the brutal impoverished everyday life of the peasant is powerfully here as well, as a poignant and stirring counterpoint to aristocratic realities and pretensions. "Before the Revolution" is that too-infrequent visual book that makes a statement while being a cultural memoir: a deeply researched text documents the historical and societal aspects which the photographs brilliant and indelibly record -- the dramatic background of Mother Russia under Nicholas II. Readers will be able to construct a portrait of the way things were and will never be again. -- From publisher's description.

A riveting account of the last eighteen months of Tsar Nicholas II's life and reign from one of the finest Russian historians writing today. In March 1917, Nicholas II, the last Tsar of All the Russias, abdicated and the dynasty that had ruled an empire for three hundred years was forced from power by revolution. Now Robert Service, the eminent historian of Russia, examines Nicholas's life and thought from the months before his momentous abdication to his death, with his family, in Ekaterinburg in July 1918. The story has been told many times, but Service's deep understanding of the period and his forensic examination of previously untapped sources, including the Tsar's diaries and recorded conversations, as well as the testimonies of the official inquiry, shed remarkable new light on his troubled reign, also revealing the kind of Russia that Nicholas wanted to emerge from the Great War. The Last of the Tsars is a masterful study of a man who was almost entirely out of his depth, perhaps even willfully so. It is also a compelling account of the social, economic and political ferment in Russia that followed the February Revolution, the Bolshevik seizure of power in October 1917, and the beginnings of Lenin's Soviet socialist republic.

By examining the 1917 revolution in the light of the experiences of the ordinary population rather than the activities of central parties and politicians, this book presents a challenging and fresh interpretation.