Dr. Jack Kevorkianthe enigmatic and intrepid physician dubbed Dr. Deathhas for years declined public interviews about his life and the events that led him to be a vehement advocate of doctor-assisted suicide for terminally ill patients. But here, finally, is his own life story, as told to Neal Nicol and Harry Wylie. Dr. Kevorkian gained international notoriety in the 1990s for his passionate advocacy of choice for terminal patients, who have increasingly won the right to decide the time, place, and method of their own death in several western countries. In 1998, he assisted Thomas Youk, a terminally ill patient suffering from Lou Gehrig's disease, with a lethal injection that was broadcast on CBS's 60 Minutes. Immediately thereafter, Kevorkian was arrested, charged with second-degree murder, tried, and sentenced to 10-25 years in Michigan's maximum-security prison system. Today, Dr. Kevorkian is in his late seventies and in failing health himself. He shares an eight-by-twelve-foot cell with another inmate in the Thumb Correctional Facility at Lapeer, Michigan. The unique story Prisoner Number 284797 shares far exceeds the battle to legalize euthanasia and end human suffering for terminal patients. Personal choice is really what it is all about. Quality of life, as opposed to maintaining existence (Kevorkian to Vanity Fair, 1994)Co-published with Vision, U.K.

The final literary testament of “one of the most innovative, brilliant novelists in the Western World” (New York Times), Between Life and Death is a startling, brave, funny, and poetic autobiographical novel about the four months Yoram Kaniuk spent in a coma near the end of his life. In Between Life and Death, celebrated Israeli writer Yoram Kaniuk relives the four months during which he lay unconscious in a Tel Aviv hospital, hovering between the worlds of the living and of the dead. With an arresting, dreamlike style that blends playfulness with fearless honesty, Kaniuk attempts to penetrate his own lost consciousness. Shifting between memory and illusion, imagination and testimony, Kaniuk explores the place of death in society, his own lust for life, and the encompassing struggles of the twentieth century. He writes about the colorful characters of his childhood neighborhood, battles in the 1948 War of Independence, and his defiant voyages across the Mediterranean on ships packed with Jewish refugees from war-torn Europe. With renewed vitality at the age of seventy-four, Kaniuk announced his rebirth with Between Life and Death, and left us a treasure of world literature that is destined for immortality. “How can one even review the final work of a writer as rewarding, innovative, and rebellious as Kaniuk?... Kaniuk’s achievement is inconceivable and awe-inspiring: at the age of seventy-seven, with a broken body, after his soul almost parted from this life, he managed to pull himself together for a short while, get back to his writing desk, and recount his near-death experience.… The writing is skilful and you cannot stop turning the pages.” —Time Out “Kaniuk’s best novel to date…The author captures a rare voice, a tone which is elegiac, full of rhythm, paratactic, and irresistible in its pull.… It achieves excellence and transparent wonder.” —Frankfurter Allgemeine Zeitung

Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.

What Does Dead Mean? is a beautifully illustrated book that guides children gently through 17 of the 'big' questions they often ask about death and dying. Questions such as 'Is being dead like sleeping?', 'Why do people have to die?' and 'Where do dead people go?' are answered simply, truthfully and clearly to help adults explain to children what happens when someone dies. Prompts encourage children to explore the concepts by talking about, drawing or painting what they think or feel about the questions and answers. Suitable for children aged 4+, this is an ideal book for parents and carers to read with their children, as well as teachers, therapists and counsellors working with young children.

“A magnificent achievement. In its power to touch the heart, to awaken consciousness, [The Tibetan Book of Living and Dying] is an inestimable gift.” —San Francisco Chronicle A newly revised and updated edition of the internationally bestselling spiritual classic, The Tibetan Book of Living and Dying, written by Sogyal Rinpoche, is the ultimate introduction to Tibetan Buddhist wisdom. An enlightening, inspiring, and comforting manual for life and death that the New York Times calls, “The Tibetan equivalent of [Dante’s] The Divine Comedy,” this is the essential work that moved Huston Smith, author of The World’s Religions, to proclaim, “I have encountered no book on the interplay of life and death that is more comprehensive, practical, and wise.”

Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.

In this first book to explore the history of euthanasia worldwide since classical antiquity, distinguished historian Ian Dowbiggin exposes the many disturbing themes that link present and past in the concept of the right to die. His deeply informed history traces the controversial record of "mercy killing," a source of heated debate among doctors and laypeople alike. Dowbiggin examines evolving opinions about what constitutes a good death, taking into account the societal and religious values placed on sin, suffering, resignation, judgment, penance, and redemption. He also examines the bitter struggle between those who advocate for the right to compassionate and effective end-of-life care and those who justify euthanasia by defining human life in terms of biological criteria, utilitarian standards, a faith in science, humane medical treatment, the principle of personal autonomy, or individual human rights. The author considers both the influence of technological and behavioral changes in the practice of medicine and the public's surprising lack of awareness of death's many clinical and biological dimensions. Dowbiggin reminds us that the stakes in the struggle are enormously high, with the lives of countless vulnerable people hanging in the balance. His provocative historical perspective will be indispensable as patients, families, governments, and the medical community debate when it is time to let go of life. Bound to spark controversy, this book takes issue with the right-to-die movement over the question of legalizing either assisted suicide or actual lethal injection (mercy-killing) and raises profound personal and collective questions on the future of euthanasia.