The remoteness and isolation of North Carolina's northern Outer Banks has shaped both early settlers and relative newcomers into tough and independent souls. Sir Walter Raleigh's colonists may have mysteriously disappeared from Roanoke Island, but the enterprising homesteaders who followed managed to eke out a living on the windswept and battered banks. Entrepreneur E.R. Daniels ran a line of mail and freight boats that helped connect the Outer Banks to the outside world. Former slave and Civil War hero Richard Etheridge did not shirk from an opportunity to become the first black keeper of a lifesaving station. In the mid-20th century, leaders like Bradford Fearing saw the importance of developing tourism, so that people would come see Paul Green's new outdoor drama, The Lost Colony. Outer Bankers have warmly welcomed visitors, from the time the Wright brothers arrived to today's modern tourists. The challenge now is to balance commercial growth with environmental sensibility so that oystermen, like Georgie Daniels, and fishermen, like Dewey Hemilwright, can continue to ply the waters.

Since Hallie's father died and left behind ten children, money at the Palmer household is tighter than ever. And just when Hallie thought she was graduating from college, it turns out she's four credits short. A professor needs one more student for a project that will take her around the world, only longtime boyfriend Craig has another proposition for Hallie. Thus begins Hallie's great odyssey, for the first time she ventures outside the safety of Cosgrove County and the sixty-mile radius in which she's functioned for her entire life. But somehow, escaping home doesnt translate into leaving behind all of her problems, and, unfortunately, not all can be solved by putting her superior gambling skills to work. Eventually, its time to return home to all the good people who are great at driving each other crazy. Hallie must finally face the biggest decision of her life. Humorous and heartfelt, Best Bet underscores the importance of friends, family, and a sense of belonging. The characters in this modest, but neighborly, small town prove that an ordinary existence made up of small but genuine moments can satisfy a soul thats hungry for life in all of its glories and disappointments.

This introduction to theatre design explains the theories, strategies, and tools of practical design work for the undergraduate student. Through its numerous illustrated case studies and analysis of key terms, students will build an understanding of the design process and be able to: identify the fundamentals of theatre design and scenography recognize the role of individual design areas such as scenery, costume, lighting and sound develop both conceptual and analytical thinking Communicate their own understanding of complex design work trace the traditions of stage design, from Sebastiano Serlio to Julie Taymor. Demonstrating the dynamics of good design through the work of influential designers, Stephen Di Benedetto also looks in depth at script analysis, stylistic considerations and the importance of collaboration to the designer’s craft. This is an essential guide for students and teachers of theatre design. Readers will form not only a strong ability to explain and understand the process of design, but also the basic skills required to conceive and realise designs of their own.

This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relatons, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.