Chronicles the entanglement of traditional and experimental music in northeast Brazil Between Nostalgia and Apocalypse is a close-to-the-ground account of musicians and dancers from Arcoverde, Pernambuco—a small city in the northeastern Brazilian backlands. The book's focus on samba de coco families, marked as bearers of tradition, and the band Cordel do Fogo Encantado, marketed as pop iconoclasts, offers a revealing portrait of performers engaged in new forms of cultural preservation during a post-dictatorship period of democratization and neoliberal reform. Daniel B. Sharp explores how festivals, museums, television, and tourism steep musicians' performances in national-cultural nostalgia, which both provides musicians and dancers with opportunities for cultural entrepreneurship and hinders their efforts to be recognized as part of the Brazilian here-and-now. The book charts how Afro-Brazilian samba de coco became an unlikely emblem in an interior where European and indigenous mixture predominates. It also chronicles how Cordel do Fogo Encantado—drawing upon the sounds of samba de coco, ecstatic Afro-Brazilian religious music, and heavy metal—sought to make folklore dangerous by embodying an apocalyptic register often associated with northeastern Brazil. Publication of this book was supported by AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

Four years ago, the Erethran Honor Guard arrived and threw John Lee into a Portal to another world. Since then, Earth has received no word of the intrepid adventurer. Until now.Finding his way back to Earth through a Portal, John returns to a very changed world. The shackles of Galactic control have bound Earth and humanity ever tighter to the System. Now, John has to find a way to free Earth from Galactic control while battling stronger, more powerful enemies. And worst of all, he will need to indulge in politics.Good thing he's got a new Class and new allies.World's Unbound is book six of the System Apocalypse, a LitRPG / GameLit series of post-apocalypse troubles, scifi & fantasy elements, all in a world filled with game mechanics. This series contains elements of games like level ups, experience, enchanted materials, a sarcastic spirit, mecha, a beguiling dark elf, monsters, minotaurs, a fiery red head and a semi-realistic view on violence and its effects. Does not include harems.

NPR Best Books of 2018 A teen girl and her robot embark on a cross-country mission in this illustrated science fiction story, perfect for fans of Ready Player One and Black Mirror. In late 1997, a runaway teenager and her small yellow toy robot travel west through a strange American landscape where the ruins of gigantic battle drones litter the countryside, along with the discarded trash of a high-tech consumerist society addicted to a virtual-reality system. As they approach the edge of the continent, the world outside the car window seems to unravel at an ever faster pace, as if somewhere beyond the horizon, the hollow core of civilization has finally caved in.

Between Apocalypse and Eschaton argues that eschatology is the key to de Lubac's theological project and critical to understanding the nouvelle theologie, the group of theologians with whom de Lubac was associated. While much recent focuses on the controversies over the supernatural, this work returns to an often neglected aspect of de Lubac's work and examines it in the wider historical, political, and theological context of war-torn twentieth-century Europe, which critically shape the meaning of "the end."

The tenth and eleventh centuries in medieval Europe are commonly seen as a time of uncertainty and loss: an age of lawless aristocrats, of weak political authority, of cultural decline and dissolute monks, and of rampant superstition. It is a period often judged from its margins, compared (mostly negatively) to what came before and what would follow. We impose upon it both a sense of nostalgia and a teleology, as they somehow knowingly foreshadow what is to come. Seeking to complicate this mischaracterisation, which is primarily the invention of nineteenth and early twentieth century historiography, this book maps the movement between two intellectual stances: a shift from prophetic to apocalyptic thinking. Although the roots of this change lay in Late Antiquity, the fulcrum of this transition lies in the tenth and eleventh centuries. Biblical commentators in the fourth and fifth centuries enforced a particular understanding of sacred time that held until the ninth century, when exegetes of the ninth century found in their commentaries a different plan for God's new chosen people. This came into stark relief as the new kingdom of Israel (the Frankish empire under the Carolingians) had splintered in the 840s. God was manifesting his displeasure with the chosen people by fire and sword. What was perhaps unforeseen was that these commentaries that were written in the specific context of the Carolingian Civil War would be heavily copied and read for the next 200 years. Ideas that formed in a world that actively lamented the loss of empire had to be translated to a world that could only dream of that empire. As they spread across Europe, these ideas became the basis for monastic educational practices, and bled into other types of textual production, such as supposedly "secular" histories. Between Prophecy and Apocalypse charts an intellectual transformation triggered when the prescriptions laid out towards the end of the Carolingian empire began to be "realized" in subsequent centuries. Nostalgia entwined with an attentiveness to possible futures and spun together so tightly as to become a double helix. Ultimately, this book will offer a way to understand the central Middle Ages, a period of dynamic intellectual ferment when ideas could inspire action and (seemingly banal) conceptions of time and history could inspire moments of dramatic transformation and horrific violence.

Wallace Stevens and the Apocalyptic Mode focuses on Stevens’s doubled stance toward the apocalyptic past: his simultaneous use of and resistance to apocalyptic language, two contradictory forces that have generated two dominant and incompatible interpretations of his work. The book explores the often paradoxical roles of apocalyptic and antiapocalyptic rhetoric in modernist and postmodernist poetry and theory, particularly as these emerge in the poetry of Stevens and Jorie Graham. This study begins with an examination of the textual and generic issues surrounding apocalypse, culminating in the idea of apocalyptic language as a form of “discursive mastery” over the mayhem of events. Woodland provides an informative religious/historical discussion of apocalypse and, engaging with such critics as Parker, Derrida, and Fowler, sets forth the paradoxes and complexities that eventually challenge any clear dualities between apocalyptic and antiapocalyptic thinking. Woodland then examines some of Stevens’s wartime essays and poems and describes Stevens’s efforts to salvage a sense of self and poetic vitality in a time of war, as well as his resistance to the possibility of cultural collapse. Woodland discusses the major postwar poems “Credences of Summer” and “The Auroras of Autumn” in separate chapters, examining the interaction of (anti)apocalyptic modes with, respectively, pastoral and elegy. The final chapter offers a perspective on Stevens’s place in literary history by examining the work of a contemporary poet, Jorie Graham, whose poetry quotes from Stevens’s oeuvre and shows other marks of his influence. Woodland focuses on Graham's 1997 collection The Errancy and shows that her antiapocalyptic poetry involves a very different attitude toward the possibility of a radical break with a particular cultural or aesthetic stance. Wallace Stevens and the Apocalyptic Mode, offering a new understanding of Stevens’s position in literary history, will greatly interest literary scholars and students.