"This is the best available single-volume treatment of the causes and consequences of Dominican migration to and from the 'two islands' ... Without a doubt, this book represents by far the best study to date of Dominican immigration to New York, and it will become not only the definitive statement on the topic for some time to come but also a work of great comparative value for contemporary theory and research on the immigration and incorporation of newcomers to the United States." Ruben G. Rumbaut, San Diego State University.

“Terrific characters and a riviting storyline...couldn’t put it down.” —Richard Wall, A Reviewer Detective Joe Cheo comes from a family with a history of crime and corruption. Though he has never taken part in any criminal activity, the reputation has been a burden to carry throughout his life. And never heavier than now as a member of the the Honolulu Police Department, where he is forced to walk a fine line. But events conspire to present a crossroads of right and wrong. And the decision of which one to take becomes even more difficult for him. Set in Hawaii during the 1980s, join Detective Joe Cheo on a journey through his past and the present as he searches for the answer, only to be surprised at its conclusion.

Popular notions about migration to the United States from Latin America and the Caribbean are too often distorted by memories of earlier European migrations and by a tendency to generalize from the more familiar cases of Mexico and Puerto Rico. Between Two Islands is an interdisciplinary study of Dominican migration, challenging many widespread, yet erroneous, views concerning the socio-economic background of new immigrants and the causes and consequences of their move to the United States. Eschewing monocausal treatments of migration, the authors insist that migration is a multifaceted process involving economic, political, and socio-cultural factors. To this end, they introduce an innovative analytical framework which includes such determinants as the international division of labor; state policy in the sending and receiving societies; class relations; transnational migrant households; social networks; and gender and generational hierarchies. By adopting this multidimensional approach, Grasmuck and Pessar are able to account for many intriguing paradoxes of Dominican migration and development of the Dominican population in the U.S. For example, why is it that the peak in migration coincided with a boom in Dominican economic growth? Why did most of the immigrants settle in New York City at the precise moment the metropolitan economy was experiencing stagnation and severe unemployment? And why do most immigrants claim to have achieved social mobility and middle-class standing despite employment in menial blue-collar jobs? Until quite recently, studies of international migration have emphasized the male migrant, while neglecting the role of women and their experiences. Grasmuck and Pessar's attempt to remedy this uneven perspective results in a better overall understanding of Dominican migration. For instance, they find that with regard to wages and working conditions, it is a greater liability to be female than to be without legal status. They also show that gender influences attitudes toward settlement, return, and workplace struggle. Finally, the authors explore some of the paradoxes created by Dominican migration. The material success achieved by individual migrant households contrasts starkly with increased socio-economic inequality in the Dominican Republic and polarized class relations in the United States. This is an exciting and important work that will appeal to scholars and policymakers interested in immigration, ethnic studies, and the continual reshaping of urban America.

The first major publication with a focus on contemporary art that reflects on a pre- and post-Windrush Caribbean/British movement This fascinating book traces the connection between Britain and the Caribbean in the visual arts from the 1950s to today, a social and cultural history more often told through literature or popular music. With its multi-generational perspective, it reveals that the Caribbean connection in British art is one of the richest facets of art in Britain since the Second World War, and is a lens through which to understand the Caribbean diasporic experience in all its social, cultural, psychological, and political complexities across generations. Features over 40 artists, including Aubrey Williams, Donald Locke, Horace Ové, Sonia Boyce, Claudette Johnson, Peter Doig, Hurvin Anderson, Grace Wales Bonner, and Alberta Whittle.

The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures can be found by daring adventurers. The magic inherent within this positioning of islands as places of discovery is an aspect which permeates the theoretical, methodological and analytical boundaries of this edited book. Showcasing the breadth of current musicological research in Australia and New Zealand, this edited collection offers a range of subtle and innovative reflections on this concept both in established and well-charted territories of music research.

In 1975, after three centuries of colonial rule, the people of the Northern Marianas exercised their right of self-determination to become U.S. citizens in a self-governing commonwealth under U.S. sovereignty. An Honorable Accord is the remarkable account of their tenacious efforts to shape a political future separate from other Micronesian peoples, of the negotiations that produced the Covenant defining the commonwealth relationship, and its eventual approval by the Northern Marianas people and the U.S. Congress.