At twenty-one, Evelyn is naïve about life and love. Raised in a small Montana town, she moves at age sixteen with her devout Catholic family to California. There, she is drawn to Latino culture when she works among the migrant workers. During the summer of her junior year in college, Evelyn travels to a small Mexican town to help set up a school and a library—an experience that whets her appetite for a life full of both purpose and adventure. After graduation, Evelyn joins the Peace Corps and is sent to perform community development work in a small mountain town in the Andes of Perú. There, she and her roommate, Marie, search for meaningful projects and adjust to living with few amenities. Over the course of eighteen months, the two young women work in a hospital, start 4-H clubs, attend campesino meetings, and teach PE in a school with dirt floors. Evelyn is chosen queen of the local boys’ high school and—despite her resolve to resist such temptations—falls in love with a university student. As she comes of age, Evelyn learns about life and love the hard way when she must choose between following the religious rules of her youth and giving in to her sexual desires.

Love across cultures is tested when Antonio, a penniless university student, and Evelyn, a strong-willed Peace Corps volunteer, succumb to their attraction to one another at the end of her two-year commitment in Peru and Evelyn gets pregnant. Deeply in love, the twenty-three-year-olds marry in Cusco—and decide to begin their married life in Northern California. Evelyn, like most wives of the ’60s and ’70s, expects her husband to support their family. And Antonio tries to take his place as head of the household, but he must first learn English, complete college, and find an adequate job. To make ends meet, Evelyn secures full-time positions, leaving their infant son in the care of others, and they both go on to attend college—she for two years, he for six. Then Antonio is offered a full-time professorship at the university he attended in Peru, and he takes it—leaving Evelyn a single parent. Parenthood, financial stress, the pull of both countries, and long visits from Antonio’s mother threaten to destroy the bonds that brought them together. Clear-eyed and frank, Love in Any Language illustrates the trials and joys in the blending of two cultures.

A story of change in the Inca capital told through its artefacts, architecture, and historical documents Through objects, buildings, and colonial texts, this book tells the story of how Cuzco, the capital of the Inca Empire, was transformed into a Spanish colonial city. When Spaniards invaded and conquered Peru in the 16th century, they installed in Cuzco not only a government of their own but also a distinctly European architectural style. Layered atop the characteristic stone walls, plazas, and trapezoidal portals of the former Inca town were columns, arcades, and even a cathedral. This fascinating book charts the history of Cuzco through its architecture, revealing traces of colonial encounters still visible in the modern city. A remarkable collection of primary sources reconstructs this narrative: writings by secretaries to colonial administrators, histories conveyed to Spanish translators by native Andeans, and legal documents and reports. Cuzco's infrastructure reveals how the city, wracked by devastating siege and insurrection, was reborn as an ethnically and stylistically diverse community.

Documents the epic conquest of the Inca Empire as well as the decades-long insurgency waged by the Incas against the Conquistadors, in a narrative history that is partially drawn from the storytelling traditions of the Peruvian Amazon Yora people. Reprint. 20,000 first printing.

This compelling collection of essays explores the Qhapaq nan (or Great Inca Road), an extensive network of trails reaching modern-day Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina. These roads and the accompanying agricultural terraces and structures that have survived for more than six centuries are a testament to the advanced engineering and construction skills of the Inca people. The Qhapaq nan also spurred an important process of ecological and community integration across the Andean region. This book, the companion volume to a National Museum of the American Indian exhibition of the same name, features essays on six main themes: the ancestors of the Inca, Cusco as the center of the empire, road engineering, road transportation and integration, the road in the Colonial era, and the road today. Beautifully designed and featuring more than 225 full-color illustrations, The Great Inka Road is a fascinating look at this enduring symbol of the Andean peoples' strength and adaptability.

A major contribution to both art history and Latin American studies, A Culture of Stone offers sophisticated new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry. A Culture of Stone is a compelling multidisciplinary argument for rethinking how we see and comprehend the Inka past.

A FASCINATING OVERVIEW OF WHAT THE LEADING EXPERT AND HIS COLLEAGUES CURRENTLY UNDERSTAND ABOUT THE GIANT GROUND DRAWINGS OF ANCIENT NASCA, PERU.