They are grouped by six major themes: the military experience, the meaning of the war, views of the South, politics on the home front, the personal sacrifices of war, and the correspondence of one New England family.

The personal letters of Americans during the Civil War preserve first-person records of news, people, and emotions that humanize the horrific events of the war and provide unique insights into the conflict's effects on individuals, families, communities, and America. Often, however, only the letters sent home survived, leaving half of the story missing. Between Home and the Front presents previously unpublished letters from the Walters family's collection held by the Smithsonian's National Postal Museum, which include the exchange of correspondence between the home front and front line, a perspective not often seen. Between Home and the Front gives us a glimpse into the poignant questions, answers, and sentiments Private David Walters of the 5th Indiana Calvary and his wife Rachel shared in their correspondence. The letters from David give details about some of the lesser-known actions of the western theater of combat, such as Morgan's Raid. The letters by Rachel Walters record how she managed the household and a young child while becoming hub of communication for the family, often receiving missives from David's brothers, Isaac and John Wesley, both of whom served with Indiana units, and relaying the information to others. From the early letters describing a Civil War soldier's enlistment to his widow's struggle in the aftermath of the war, the letters of the Walters family add incomparable details to the study of the Civil War. Between Home and the Front offers not only unique first-person accounts from those that experienced the Civil War but also meticulous annotations that provide valuable historical context for the events, people, and material culture described in the letters.

American soldiers overseas during World War II were famously said to be “overpaid, oversexed, and over here.” But the assaults, rapes, and other brutal acts didn’t only happen elsewhere, far away from a home front depicted as safe and unscathed by the “good war.” To the contrary, millions of American and Allied troops regularly poured into ports like New York and Los Angeles while on leave. Euphemistically called “friendly invasions,” these crowds of men then forced civilians to contend with the same kinds of crime and sexual assault unfolding in places like Britain, France, and Australia. With unsettling clarity, Aaron Hiltner reveals what American troops really did on the home front. While GIs are imagined to have spent much of the war in Europe or the Pacific, before the run-up to D-Day in the spring of 1944 as many as 75% of soldiers were stationed in US port cities, including more than three million who moved through New York City. In these cities, largely uncontrolled soldiers sought and found alcohol and sex, and the civilians living there—women in particular—were not safe from the violence fomented by these de facto occupying armies. Troops brought their pocketbooks and demand for “dangerous fun” to both red-light districts and city centers, creating a new geography of vice that challenged local police, politicians, and civilians. Military authorities, focused above all else on the war effort, invoked written and unwritten legal codes to grant troops near immunity to civil policing and prosecution. The dangerous reality of life on the home front was well known at the time—even if it has subsequently been buried beneath nostalgia for the “greatest generation.” Drawing on previously unseen military archival records, Hiltner recovers a mostly forgotten chapter of World War II history, demonstrating that the war’s ill effects were felt all over—including by those supposedly safe back home.

LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.

This eye-opening study gives a nuanced, provocative account of how German soldiers in the Great War experienced and enacted masculinity. Drawing on an array of relevant narratives and media, it explores the ways that both heterosexual and homosexual soldiers expressed emotion, understood romantic ideals, and approached intimacy and sexuality.

Divided Houses is the first book to show how the Civil War transformed gender roles and attitudes toward sexuality among Americans. This unique volume brings together a wide spectrum of critical viewpoints by newly emerging scholars as well as distinguished authors in the field to show how gender became a prism through which the political tensions of antebellum America were filtered and focused. Through the course of the book, many fascinating subjects are explored, from new "manly" responsibilities both black and white men had thrust upon them as soldiers, to women's roles in the guerrilla fighting, to the wartime dialogue on interracial sex. In addition, an incisive introduction by Pulitzer Prize-winning historian James McPherson helps place these various subjects within an overall historical context. Divided House sheds new light on the entire Civil War experience, demonstrating how themes of gender, class, race, and sexuality interacted to forge the beginnings of a new society.