The destinies of rancher Remy Fuqua and Penateka warrior Kills White Bear cross when the U.S., Mexico, and the Plains Indians wage war over the Texas landscape.

Brian Thompson is living a lie. A successful businessman, Brian can't stay focused in a real relationship and cheats on Timothy, his longtime lover. A phone call from his younger brother Joey, whom Brian hasn't spoken to in years, makes him recognize the uncanny resemblance between the two men. Joey is, in a word, perfect. In Brian's eyes, he always has been. When their mother is hospitalized, Joey asks his older brother to come home. He tells Brian he needs him, which is just what Brian wants to hear. But the long trip north gives Brian plenty of time to think about his brother, and he comes to realize an unsettling truth -- he is in love with Joey. Suddenly Brian admits that he wants Joey in ways he knows he shouldn't. Can he come to terms with the way he feels before his unrequited love threatens to tear him -- and his relationships with Timothy and Joey -- apart?

A suspenseful coming-of-age story that moves from the halls of a historically black university to the streets of Washington, D.C., with great insight into the joys and perils of discovering what really matters in life As the Ellis Community Center, a rare bright spot in a low-income Washington, D.C., neighborhood, struggles to keep its doors open, its last hope for survival lies with four Highland University housemates: Terence Bootstrapper Davidson. Clawing his way out of poverty, he refuses to give in to the streets--while struggling to save Biggie, his defiant little brother, from that very fate. Larry Smooth Operator Whitaker. Driven and ambitious, he has everything: the Lexus, the superfly girlfriend, and a future edged in gold. Brandon Choirboy Bailey. A bright premed major who has been dateless for four years, he struggles to maintain his religious faith despite his longing for Monica, a classmate he's loved from afar. O. J. Sinister Minister Peters. Unsuccessfully juggling his budding career as a Baptist preacher with a string of empty affairs, he sees his carefully constructed double life threatened when a member of his congregation becomes pregnant. Their mission to save Ellis Center quickly puts them in harm's way when Nico Lane, a sophisticated local drug dealer who wants the center shut down, becomes aware of their efforts. When Larry's campaign for student body president is sabotaged, O.J.'s women suddenly catch on to his act, and Terence is forced to choose between the center and Biggie's life, the men suspect there is more to the center's problems than just bad finances. From the Trade Paperback edition.

The multitalented writers, directors, producers, and actors (as seen on The League, Transparent, and The Mindy Project) share the secrets of their lifelong partnership in this unique memoir. “A book that anyone will love . . . You can enjoy it even if you have no idea who the Duplass brothers are.”—Janet Maslin, The New York Times Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong partnership in this unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they’ve learned the hard way. From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early-nineties Austin, and from the breakthrough short they made on a three-dollar budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that’s resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent), and about the challenges they faced on the set of their HBO series Togetherness—namely, too much togetherness. But Like Brothers is also a surprisingly practical road map to a rewarding creative partnership. Rather than split all their responsibilities fifty-fifty, the brothers learned to capitalize on each other’s strengths. They’re not afraid to call each other out, because they’re also not afraid to compromise. Most relationships aren’t—and frankly shouldn’t be—as intense as Mark and Jay’s, but their brand of trust, validation, and healthy disagreement has taken them far. Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, Like Brothers is as openhearted and lovably offbeat as Mark and Jay themselves. “Wright. Ringling. Jonas. I’m sure you could name a bunch of famous brother teams. They’re all garbage compared to Mark and Jay. I can’t wait for you to read this book.”—from the foreword by Mindy Kaling

Winner of the 2020 Peter C. Rollins Book Award Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation Named a 2019 Richard Wall Memorial Award Finalist by the Theatre Library Association Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. For this award-winning dual portrait of the Mankiewicz brothers, Sydney Ladensohn Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men.

*** This is an Erotica novel, not a romance. *** There is no way people would go to the lengths they do to get sex if it was really this bad. That’s what Marisa is thinking after yet another frustrating night. She doesn’t want a relationship. She doesn’t want love, at least not right now. What she does want is some of the hot sex that everyone else raves about…and she doesn’t know where to start. Enter Darren Knight, Marisa’s best friend and longtime crush. Offering a casual sexual apprenticeship, he helps Marisa gain the confidence to ask for and get what she wants. A sizzling new world opens up for her, including BDSM, stripteases – and Darren’s sexy brother, Eric. But can she take her newfound confidence to the next level and live out her ultimate fantasy? This book was previously published.

Robert F. Kennedy was the first conspiracy theorist about his brother's murder. In this astonishingly compelling and convincing new account of the Kennedy years, acclaimed journalist David Talbot tells in a riveting, superbly researched narrative why, even on 22 November 1963, RFK had reason to believe that dark forces were at work in Dallas and reveals, for the first time, that he planned to open an investigation into the assassination had he become president in 1968. BROTHERS also portrays a JFK administration more besieged by internal enemies than has previously been realised, from within the Pentagon, the CIA, the FBI and the mafia. This frightening portrait of sinister elements within and without the government serves as the background for the emotionally charged journey of Robert Kennedy. Reading it, you can absolutely believe any number of people would have been happy for both brothers to meet a sticky end. The tragedy, not just for America but for the world, is that since their murders no one has had the nerve to stand against the dark forces they challenged in quite the same way.