In Between Banat Mejdulene Bernard Shomali examines homoeroticism and nonnormative sexualities between Arab women in transnational Arab literature, art, and film. Moving from The Thousand and One Nights and the Golden Era of Egyptian cinema to contemporary novels, autobiographical writing, and prints and graphic novels that imagine queer Arab futures, Shomali uses what she calls queer Arab critique to locate queer desire amid heteronormative imperatives. Showing how systems of heteropatriarchy and Arab nationalisms foreclose queer Arab women’s futures, she draws on the transliterated term “banat”—the Arabic word for girls—to refer to women, femmes, and nonbinary people who disrupt stereotypical and Orientalist representations of the “Arab woman.” By attending to Arab women’s narration of desire and identity, queer Arab critique substantiates queer Arab histories while challenging Orientalist and Arab national paradigms that erase queer subjects. In this way, Shomali frames queerness and Arabness as relational and transnational subject formations and contends that prioritizing transnational collectivity over politics of authenticity, respectability, and inclusion can help lead toward queer freedom.

A diachronic, yet nuanced study of Amorite identity from Mesopotamia to Egypt over a millennium of Bronze Age history.

This volume presents research on intercultural relations in South-Eastern Europe, including the way they are imagined and managed in different social and historical contexts. After an introductory critique of the concepts of interculturalism and citizenship, the situation in Romania is investigated. The second part deals with a series of in-depth comparative studies, namely on the Roma minorities in Romania and Bulgaria. But it also considers the case of the Pomaks in Bulgaria, of Russians living in parallel societies in the Baltic States and the recent evolution of interculturalism in the region.

One of the main cultural consequences of the contacts between Islam and the West has been the borrowing of hundreds of words, mostly of Arabic but also of other important languages of the Islamic world, such as Persian, Turkish, Berber, etc. by Western languages. Such loanwords are particularly abundant and relevant in the case of the Iberian Peninsula because of the presence of Islamic states in it for many centuries; their study is very revealing when it comes to assess the impact of those states in the emergence and shaping of Western civilization. Some famous Arabic scholars, above all R. Dozy, have tackled this task in the past, followed by other attempts at increasing and improving his pioneering work; however, the progresses achieved during the last quarter of the 20th c., in such fields as Andalusi and Andalusi Romance dialectology and lexicology made it necessary to update all the available information on this topic and to offer it in English.

In a Raging Inferno is the first English-language book ever to recount the story of the Hitler Youth and its combat role at the end of World War II. During the desperate final months of the Third Reich boys (and girls) as young as ten were thrown into action against the advancing British, American and Soviet armies, frequently fighting with a fanatical and suicidal fury. The author spent many years collecting material and interviewing veterans of the Hitler Youth combat units. The result is a fascinating - and sometimes disturbing - account, packed with eyewitness accounts and rare photographs. In addition, well-known military artist Stephen Andrew has produced 4 superb pages of color uniform plates.