xxxxx proposes a radical, new space for artistic exploration, with essential contributions from a diverse range of artists, theorists, and scientists. Combining intense background material, code listings, screenshots, new translation, [the] xxxxx [reader] functions as both guide and manifesto for a thought movement which is radically opposed to entropic contemporary economies. xxxxx traces a clear line across eccentric and wide ranging texts under the rubric of life coding which can well be contrasted with the death drive of cynical economy with roots in rationalism and enlightenment thought. Such philosophy, world as machine, informs its own deadly flipside embedded within language and technology. xxxxx totally unpicks this hiroshimic engraving, offering an dandyish alternative by way of deep examination of software and substance. Life coding is primarily active, subsuming deprecated psychogeography in favour of acute wonderland technology, wary of any assumed transparency. Texts such as Endonomadology, a text from celebrated biochemist and chaos theory pioneer Otto E. Roessler, who features heavily throughout this intense volume, make plain the sadistic nature and active legacy of rationalist thought. At the same time, through the science of endophysics, a physics from the inside elaborated here, a delicate theory of the world as interface is proposed. xxxxx is very much concerned with the joyful elaboration of a new real; software-led propositions which are active and constructive in eviscerating contemporary economic culture. xxxxx embeds Perl Routines to Manipulate London, by way of software artist and Mongrel Graham Harwood, a Universal Dovetailer in the Lisp language from AI researcher Bruno Marchal rewriting the universe as code, and self explanatory Pornographic Coding from plagiarist and author Stewart Home and code art guru Florian Cramer. Software is treated as magical, electromystical, contrasting with the tedious GUI desktop applications and user-led drudgery expressed within a vast ghost-authored literature which merely serves to rehearse again and again the demands of industry and economy. Key texts, which well explain the magic and sheer art of programming for the absolute beginner are published here. Software subjugation is made plain within the very title of media theorist Friedrich Kittler's essay Protected Mode, published in this volume. Media, technology and destruction are further elaborated across this work in texts such as War.pl, Media and Drugs in Pynchon's Second World War, again from Kittler, and Simon Ford's elegant take on J.G Ballard's crashed cars exhibition of 1970, A Psychopathic Hymn. Software and its expansion stand in obvious relation to language. Attacking transparency means examining the prison cell or virus of language; life coding as William Burrough's cutup. And perhaps the most substantial and thorough-going examination is put forward by daring Vienna actionist Oswald Wiener in his Notes on the Concept of the Bio-adapter which has been thankfully unearthed here. Equally, Olga Goriunova's extensive examination of a new Russian literary trend, the online male literature of udaff.com provides both a reexamination of culture and language, and an example of the diversity of xxxxx; a diversity well reflected in background texts ranging across subjects such as Leibniz' monadology, the ur-crash of supreme flaneur Thomas de Quincey and several rewritings of the forensic model of Jack the Ripper thanks to Stewart Home and Martin Howse. xxxxx liberates software from the machinic, and questions the transparency of language, proposing a new world view, a sheer electromysticism which is well explained with reference to the works of Thomas Pynchon in Friedrich Kittler's essay, translated for the first time into English, which closes xxxxx. Further contributors include Hal Abelson, Leif Elggren, Jonathan Kemp, Aymeric Mansoux, and socialfiction.org.

Steve "Sneeze" Wyatt attempts to thwart his parents' plan to have him skip eighth grade, but he has bigger problems when his friends disapprove of his new list and Mrs. "Fierce" Pierce threatens to keep him from the Invention Convention.

Koolgalla is a gold town, but the gold rush is beginning to wane. In the office of the Koolgalla Argus, the editors must decide between protecting old interests and investing in the farmland of the future. The new editorial assistant, J G Milford, arrives -- but it turns out the J stands for Jenny. The Torrents is a forgotten classic. In 1955 it was the co-winner, with Summer of the Seventeenth Doll, of the Playwrights Advisory Boards award for Best Play. Yet while Lawlers play is considered a defining feature of Australian theatre, The Torrents is underappreciated and was perhaps ahead of its time. Currency Press is proud to re-publish this crucial work, whose themes of media chauvinism, environmental destruction and corrupt powers are chillingly relevant today. (3 acts, 10 male, 2 female).

This book tries to answer two questions: 1) Why has the U.S. Government suddenly done an about-face in 2021, from debunking UFOs to officially admitting that they are "real"? 2) Since UFOs appear on radar, leave physical traces, and produce a wide spectrum of psychic and paranormal phenomena, exactly what are they? The answer to the first question is: "Because 'disclosure' is part of a long-term social engineering project beginning at least as early as the end of WWII." The answer to the second is: "They are psycho-physical entities such as have been reported throughout human history, called the Jinn by the Muslims and Fairies by the Northern Europeans. The social engineers have opted to use this well-known phenomenon-whether or not they fully understand it-to shift the paradigm in the Western world from Democracy and Christianity to Technocracy and Transhumanism. Extensive evidence is given for both these theories, drawing upon history, individual and social psychology, traditional metaphysics and eschatology, the physical sciences, and the phenomenology of the paranormal, thus producing the most global and consistent explanation to date-if not the most easily accepted one-of the UFO phenomenon. Charles Upton, poet and metaphysician, was born on December 13, 1948, in San Francisco, CA. He is a protege of the Beat Generation, a veteran of the psychedelic counterculture, a peace activist, a Sufi Muslim, a writer of the Traditionalist/Perennialist School, and author of 20 books, mostly on "metaphysics and social criticism." In 2013, along with Dr. John Andrew Morrow, he co-founded the international Muslim/Interfaith peace movement known as the Covenants Initiative, and is presently Executive Director of the Covenants of the Prophet Foundation. He has been writing on the subject of UFOs since 2001.