By the turn of the twentieth century, Beaumont, Texas had acquired a reputation as a rough place. Situated in the oil-soaked chaos of Spindletop, Jefferson County was a hotbed of vice. For decades, gambling and prostitution thrived as elected officials either looked the other way or took money to keep quiet. That is, until 1960 when a swashbuckling young state legislator blew into town and spearheaded an intensive investigation into the rampant vice and governmental corruption that supported it. And, at a time when such things were virtually unheard of, he and his committee played it out on live television. When the dust finally cleared, the local governments of Jefferson County were turned inside out.

In a work of sweeping breadth and beauty, Geoff Winningham has created a profusely illustrated, contemplative travel journal that showcases his talent as both a photographer and a writer and reveals his affection and respect for the two countries he calls home. In 2003, photographer Geoff Winningham saw for the first time both the southern coast of Veracruz, with its volcanoes, rain forests, and steep mountains, and the Texas coast near High Island, where the land seems to stretch endlessly, covered by a sea of salt grass. He decided that these two visually striking areas could be the beginning and end points of a photographic study that would also engage the two cultures in which he had lived for twenty years, the U.S. and Mexico. Now, seven years and more than a hundred trips later, Traveling the Shore of the Spanish Sea: The Gulf Coast of Texas and Mexico is the result. In this beautifully illustrated and engagingly written book, Winningham also considers the role that the Gulf of Mexico played in the discovery and exploration of the New World. Winningham's journey begins east of High Island, in Port Arthur, where the images suggest a cautionary tale relating to the oil industry and the land. It ends twelve hundred miles down the coast at the end of an old, stone road in tropical terrain of almost indescribable beauty, overlooking the sea. In between, more than two hundred photographs include natural landscapes (ranging from unspoiled to completely despoiled), roadside architecture and signage, and images of people Winningham met. As he attempts to come to terms with the disturbing changes he witnessed to the coastal environment, the book also contains elements of a poignant, personal lament for what is being lost. Traveling the Shore of the Spanish Sea: The Gulf Coast of Texas and Mexico will delight and enchant readers with its deeply felt personal narrative and the power and beauty of its images.

Satan’s Playground chronicles the rise and fall of the tumultuous and lucrative gambling industry that developed just south of the U.S.-Mexico border in the early twentieth century. As prohibitions against liquor, horse racing, gambling, and prostitution swept the United States, the vice industry flourished in and around Tijuana, to the extent that reformers came to call the town “Satan’s Playground,” unintentionally increasing its licentious allure. The area was dominated by Agua Caliente, a large, elegant gaming resort opened by four entrepreneurial Border Barons (three Americans and one Mexican) in 1928. Diplomats, royalty, film stars, sports celebrities, politicians, patricians, and nouveau-riche capitalists flocked to Agua Caliente’s luxurious complex of casinos, hotels, cabarets, and sports extravaganzas, and to its world-renowned thoroughbred racetrack. Clark Gable, Jean Harlow, Louis B. Mayer, the Marx Brothers, Bing Crosby, Charlie Chaplin, Gloria Swanson, and the boxer Jack Dempsey were among the regular visitors. So were mobsters such as Bugsy Siegel, who later cited Agua Caliente as his inspiration for building the first such resort on what became the Las Vegas Strip. Less than a year after Agua Caliente opened, gangsters held up its money-car in transit to a bank in San Diego, killing the courier and a guard and stealing the company money pouch. Paul J. Vanderwood weaves the story of this heist gone wrong, the search for the killers, and their sensational trial into the overall history of the often-chaotic development of Agua Caliente, Tijuana, and Southern California. Drawing on newspaper accounts, police files, court records, personal memoirs, oral histories, and “true detective” magazines, he presents a fascinating portrait of vice and society in the Jazz Age, and he makes a significant contribution to the history of the U.S.-Mexico border.

What began innocently as a family history now possessed all the elements of a Texas-size mystery. All the evidence was there of a deception by the most unlikely of partners.

This widely acclaimed study of political power in a metropolitan community portrays the political system in its entirety and in balance—and retains much of the drama, the excitement, and the special style of New York City. It discusses the stakes and rules of the city's politics, and the individuals, groups, and official agencies influencing government action.