Better Than a Turkish Prison is the true story of a needy young man who encounters a religious cult known as "The Twelve Tribes". With no better options in sight, he decides to join them in their pursuit to build the kingdom of God on Earth. After years of brainwashing and servitude, he must break free from a powerful delusion in his search for freedom and truth. Not merely a deeply personal portrayal of one man's struggles, this book also serves as a critical analysis of religious ideals and their effects on humanity as the author divulges his presently held beliefs.

Following this July's attempted coup, the international spotlight has fallen on Turkey's increasingly authoritarian government, led by President Recep Tayyip Erdogan. Already known for his attacks on press freedom, international observers fear the attempted coup has given Erdogan an excuse to further supress all opposition. In November 2015 Can Dündar, editor-in-chief of the national Cumhuriyet newspaper, was arrested on charges of espionage, helping a terrorist organisation, trying to topple the government and revealing state secrets. Arraigned by the President himself who called for Can to receive two life sentences, he was imprisoned in solitary confinement in Turkey's Silivri prison for three months whilst awaiting trial. Dündar's so-called crime was informing the public of the discovery of a highly illegal covert arms shipment by the Turkish secret service to radical Islamist organisations fighting government forces in Syria. This was a crime that was in the government's interest to conceal, and a journalist's duty to expose. We Are Arrested is Dündar's account of the discovery, the weighing up of the pros and cons of publishing, and the events that unfolded after the decision. Dündar and his colleagues faced police barricades, would-be suicide bombers and assassination attempts, as well as fierce attacks from pro-government media. Incarcerated in Silivri, Can Dündar decided to write down his experiences. Here, in isolation, he learned to appreciate the small things in life. Most importantly, he realised that courage in an age of fear is essential if the public's right to know is to be defended.

Shelly Lantz is a wife, homemaker, and joyful friend. If you met her today, you'd never know her untold story, the harrowing true tale of a young American girl who found herself abandoned in a stench-ridden Turkish prison cell. It's a story like none other, and in this book, Shelly shares the most intimate, devastating, and ultimately miraculous series of events you've ever read. When news of Shelly's imprisonment in Turkey hit airwaves around the world, her cries for help went unheard. Alone and forgotten, she had countless hours to reminisce how she ended up in a cold, dank cell on the other side of the world. Her traumatic childhood and a series of bad decisions had long caged her in a world of violence, drugs, and prostitution. While languishing in prison, a Bible was miraculously smuggled to Shelly by an American soldier and his wife. The events and miracles that followed are extraordinary and will be an ever-present reminder of God's love and grace.

A true story of capture and incarceration; danger and degradation; hope and survival.

The Midnight Express Letters is a compelling collection of letters that Billy Hayes wrote to his family, girlfriend, and friends during his years in a Turkish prison. Here is the raw source material from which Midnight Express-the worldwide best-selling book and Academy Award-winning film--is drawn. Together with annotation, photos, and images of the handwritten pages, these letters tell Billy's story of both the events and the inner journey, in his original words, with the urgency and intimacy of the moment. In 1970 Billy Hayes was an English major who left college in search of adventures to write about, like his hero Jack London. He had a rude awakening when he was arrested at the airport in Istanbul trying to board a plane while carrying four pounds of hashish, and given a life sentence. After five brutal years, relentless efforts by his family to gain his release, and endless escape plotting, Billy took matters into his own hands and pulled off a daring escape to freedom. Soon after, he wrote Midnight Express.

Best Book of the Year – Bloomberg News A resilient Turkish writer’s inspiring account of his imprisonment that provides crucial insight into political censorship amidst the global rise of authoritarianism. The destiny I put down in my novel has become mine. I am now under arrest like the hero I created years ago. I await the decision that will determine my future, just as he awaited his. I am unaware of my destiny, which has perhaps already been decided, just as he was unaware of his. I suffer the pathetic torment of profound helplessness, just as he did. Like a cursed oracle, I foresaw my future years ago not knowing that it was my own. Confined in a cell four meters long, imprisoned on absurd, Kafkaesque charges, novelist Ahmet Altan is one of many writers persecuted by Recep Tayyip Erdoğan’s oppressive regime. In this extraordinary memoir, written from his prison cell, Altan reflects upon his sentence, on a life whittled down to a courtyard covered by bars, and on the hope and solace a writer’s mind can provide, even in the darkest places.

Starve and Immolate tells the story of leftist political prisoners in Turkey who waged a deadly struggle against the introduction of high security prisons by forging their lives into weapons. Weaving together contemporary and critical political theory with political ethnography, Banu Bargu analyzes the death fast struggle as an exemplary though not exceptional instance of self-destructive practices that are a consequence of, retort to, and refusal of the increasingly biopolitical forms of sovereign power deployed around the globe. Bargu chronicles the experiences, rituals, values, beliefs, ideological self-representations, and contentions of the protestors who fought cellular confinement against the background of the history of Turkish democracy and the treatment of dissent in a country where prisons have become sites of political confrontation. A critical response to Michel Foucault's Discipline and Punish, Starve and Immolate centers on new forms of struggle that arise from the asymmetric antagonism between the state and its contestants in the contemporary prison. Bargu ultimately positions the weaponization of life as a bleak, violent, and ambivalent form of insurgent politics that seeks to wrench the power of life and death away from the modern state on corporeal grounds and in increasingly theologized forms. Drawing attention to the existential commitment, sacrificial morality, and militant martyrdom that transforms these struggles into a complex amalgam of resistance, Bargu explores the global ramifications of human weapons' practices of resistance, their possibilities and limitations.