Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.

What type of man sleeps with a married woman? Stokely Robeson is not the type of man who usually comes to mind but he is a man who in following his heart, has found himself in an awkward web of love from which there is no painless escape.

"I wait for him, the cold seeping through my clothes, until it finally dawns on me that he's not coming back. And I wonder why he chose her instead of me? Why he went looking for her when I was right there." Tai and Juliet have been best friends forever - since they met at kindy and decided to get married in first grade. They understand each other in the way that only best friends can. They love music, beach walks, energy drinks and, they are slowly discovering, each other. As they begin to dream of adventures beyond the HSC - a future free of homework, curfews and parents, a life together - their plans are suddenly and dramatically derailed. For Tai is sick. And not everything you wish for can come true. A poignant story of first love, hope, grief, family, and the twistedness of life. Shortlisted for Prime Minster's Literary Award Young Adult Fiction 2013

An enthralling novel of secrets, second chances, and confronting the past by the Wall Street Journal bestselling author of When I'm Gone. After a series of devastating losses, Chicago journalist Hannah Williamson has landed in Senatobia, Mississippi, to care for her bedridden grandmother and endure grunt work at a small newspaper. But in cleaning out its archives, Hannah discovers a compelling distraction from her life: a series of rejected articles from the 1930s that illuminate a long-hidden mystery. The articles, penned by a young woman named Evelyn, are haunting accounts of first love, trauma, and surviving a mysterious shooting that left Evelyn paralyzed at the age of fourteen. The articles stir up more questions than answers, and Hannah becomes consumed by what's left unsaid. Encouraged by Guy Franklin, a local middle school teacher, Hannah's investigation into Evelyn's past becomes more personal with each new reveal. For Hannah, as both a journalist and a woman bearing her own emotional wounds, this is a chance to move forward and bring closure to the story of the girl whose secrets are buried in Senatobia. What Hannah's about to discover next is that, even after nearly a century, the truth she's been looking for still has the power to change lives. Especially her own.

A LIFETIME OF SECRETS. A SUMMER OF NEW BEGINNINGS. _____________________ "So tender and thoughtful. I loved it" MARIAN KEYES "A gorgeous, rich treat" JANE FALLON "Warm, intriguing, brimming with tenderness... A joyous book" RUTH JONES ________________________ ONLY THE TRUTH WILL SET HER FREE . . . After her wedding in cancelled hours before she is due to walk down the aisle, Rachel is newly single and must move back in with her mother, Eleanor. But their relationship is far from perfect, and their family home is filled with secrets. It will take a devastating turn of events for Rachel to finally unravel a powerful truth. One that Eleanor has kept close to her heart for decades. Will unlocking the past help Rachel find the key to her future? "This book is incredibly special... I cared so deeply for all of the characters... I got lost in it and I miss the characters so much" GABY ROSLIN "Involving and emotional" JANET ELLIS "Warm and compelling" WOMAN ________________________ Early readers absolutely love The Things We Left Unsaid: 'A really enjoyable book.' 'Truly beautiful. I adored this book. I cried and know that when I read this again and again I'll cry each time.' 'A real and full story that was completely relatable.' 'An excellent read and I would certainly recommend it.' 'The sense of time and place was very authentic.' 'I loved the characters and both them and London felt so alive. The story unfolded at a good pace with lots of treasured moments and the story felt new.' 'The little details portraying the different time periods really make this book special. This is definitely one I'll be recommending.' 'A beautiful story of relationships and their complications.' 'Would recommend without hesitation.' 'I absolutely loved it.' 'Set in two time periods, present day and the sixties, this is a compelling tale of two women coming of age and coming to terms with themselves. I loved this book.' 'I loved this book, from start to finish it had me wanting to keep reading!' 'It is funny, sad and intriguing, a must read. I honestly was sad to get to the end.' 'A funny, touching story.' 'This novel is an absolute gem. I loved everything about it.' 'I loved the way the characters were developed in the story. They worked their way into my heart.' 'This author has insight and compassion and is an excellent storyteller, wise and full of empathy.'