She is Beth, nine months pregnant, but witnesses the love of her life cheating on her with her best friend. In a freezing cold hospital, she has her limbs broken, miscarries and dies by her best friend. As soon as she opens her eyes, she goes back in time to before she was 18 and meets her former lover again. He is Eureka, who loves Beth deeply, and Beth loves him deeply, but the day Beth turns 18, he senses her obvious distancing, and his intense love and possessiveness make him so crazy about her that he will not let her leave his side, no matter what.

The author examines the evolution of the rape narrative in twentieth-century literature: What accounts for the persistence of the old story of male power and violence, and female passivity and penetrability? How has the story changed over the course of the twentieth century? She investigates the manner in which the violation of the female body serves as a metaphor for a synthesis of masculinity and political economy.

The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almost no place for Dominicans to hide or resist. Drawing on previously untapped documents in the Trujillo National Archives and interviews with Dominicans who recall life under the dictator, Derby emphasizes the role that public ritual played in Trujillo’s exercise of power. His regime included the people in affairs of state on a massive scale as never before. Derby pays particular attention to how events and projects were received by the public as she analyzes parades and rallies, the rebuilding of Santo Domingo following a major hurricane, and the staging of a year-long celebration marking the twenty-fifth year of Trujillo’s regime. She looks at representations of Trujillo, exploring how claims that he embodied the popular barrio antihero the tíguere (tiger) stoked a fantasy of upward mobility and how a rumor that he had a personal guardian angel suggested he was uniquely protected from his enemies. The Dictator’s Seduction sheds new light on the cultural contrivances of autocratic power.

This American underground classic is a rollicking cosmic mystery featuring Albert Einstein and James Joyce as the ultimate space/time detectives. One fateful evening in a suitably dark, beer-soaked Swiss rathskeller, a wild and obscure Irishman named James Joyce would become the drinking partner of an unknown physics professor called Albert Einstein. And on that same momentous night, Sir John Babcock, a terror-stricken young Englishman, would rush through the tavern door bringing a mystery that only the two most brilliant minds of the century could solve . . . or perhaps bringing only a figment of his imagination born of the paranoia of our times. An outrageous, raunchy ride through the twists and turns of mind and space, Masks of the Illuminati runs amok with all our fondest conspiracy theories to show us the truth behind the laughter . . . and the laughter in the truth. Praise for Masks of the Illuminati “I was astonished and delighted . . . Robert Anton Wilson managed to reverse every mental polarity in me, as if I had been pulled through infinity.”—Philip K. Dick “[Wilson is] erudite, witty, and genuinely scary.”—Publishers Weekly “A dazzling barker hawking tickets to the most thrilling tilt-a-whirls and daring loop-o-planes on the midway to a higher consciousness.”—Tom Robbins “Wilson is one of the most profound, important, scientific philosophers of this century—scholarly, witty, hip, and hopeful.”—Timothy Leary

This collection of essays offers an overview of the range and breadth of Platonic philosophy in the early modern period. It examines philosophers of Platonic tradition, such as Cusanus, Ficino, and Cudworth. The book also addresses the impact of Platonism on major philosophers of the period, especially Descartes, Leibniz, Locke, Shaftesbury and Berkeley.

From Asgard to Valhalla takes readers deep inside Odin's cavernous hall and tells of the adventures, tragedies and lessons of the Viking Gods. Here, Heather O'Donoghue skillfully uncovers both the history and legacy of these myths to provide the authoritative student text on Old Norse mythology. From the magnificent tales of A Song of Ice and Fire and the supernatural wonders of Valkyries to Tolkien's Riders of Rohan and Marvel's mighty Thor, Norse mythology is a fundamental part of western culture. Drawing from a wealth of sources and scholarly debates, this fully-updated and expanded 2nd edition offers both an engaging survey of the Old Norse myths and an accessible introduction to how such strange and fragmentary material has been seized, repurposed and at times abused throughout the centuries. Notably, this important and timely study explores how Old Norse mythology has been – and continues to be – weaponized by far right movements across the world. Containing 2 brand new chapters on post-medieval reception, 30 illustrations for a stronger visual context and pedagogical updates throughout to aid further study, this new edition of From Asgard to Valhalla: The Remarkable History of the Norse Myths is a vital resource for all students of Old Norse mythology.

The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.