Fiction. Short Stories. Edited by Meg Pokrass and Gary Fincke with guest editor Amber Sparks. THE BEST MICROFICTION anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass; and Flannery O'Connor Prize-winning author Gary Fincke; the anthology features Amber Sparks serving as final judge; and one hundred and five of the world's best very short short stories.

"The Best Microfiction anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass, and Flannery O'Connor Prize-winning author Gary Fincke, and acclaimed author/editor Michael Martone serving as final judge."--Provided by publisher

The characters in Eternal Night at the Nature Museum take refuge in strange, repurposed spaces. A middle-aged addict emcees at demolition derby, which transforms into a hostel—then a cult. An elderly folk-artist builds mailbox reproductions of her dream homes. A church congregates in an abandoned Hardee's. Octogenarians escape their nursing home. Unsupervised children sell knives to the neighborhood. In twenty vivid, rowdy, buoyant stories, Tyler Barton assembles a collection of places to crash, if only for the night.

The Best Microfiction anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass, and Flannery O'Connor Prize-winning author Gary Fincke, the anthology features Tania Hershman serving as final judge,

Best Microfiction is an annual showcase for the world's best very short stories.

Ten years ago, Jerome Stern, director of the writing program at Florida State, initiated the World's Best Short Short Story Contest. Stories were to be about 250 words long; first prize was a check and a crate of oranges. Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page. Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements. How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.

“Perfect for readers who love a touch of the fantastic and the impossible.” —Booklist A hopeful and heroic girl befriends a small, lost whale during World War II and together they embark on a journey to liberate France and find their families in this charming debut novel. Ever since the Germans became the unwelcome “guests” of Paris in the early days of World War II, Papa and Chantal have gone out in the evenings to fish in the Seine. Tonight Chantal is hoping for a salmon, but instead she spies something much more special: a whale! Though small (for a whale) and lost, he seems friendly. Chantal soon opens her heart to the loveable creature and names him Franklin, after the American president who must surely be sending troops to rescue her country. Yet Franklin is in danger: The Parisians are starving and would love to eat him, and the Nazis want to capture him as a gift to Hitler. In a desperate bid to liberate themselves and their city, Chantal and Franklin embark on a dangerous voyage. But can one small girl manage to return a whale to the ocean and reunite him with his parents? And will she ever see her own family again?