A selection of the most enjoyable and popular short stories from India. Best Loved Indian Stories brings together tales from different parts of the country that have enthralled readers of all ages. This volume, the first of two, represents the best English stories written by Indians in the twentieth century. In these twenty stories you will meet unforgettable characters like the inimitable Muni with his two goats in R.K. Narayan’s classic ‘A Horse and Two Goats', the pious Vishnu in Khushwant Singh's 'The Mark of Vishnu’, the innocent basket-seller with the enchanting eyes in Ruskin Bond's unforgettable 'Night Train at Deoli', the dying grandmother with her eccentric demands in Githa Hariharan's ‘Remains of the Feast’ and many other men and women who have touched our lives over the generations. The authors included in this volume are: Anjana Appachana Anita Desai Attia Hosain Bharati Mukherjee Githa Hariharan K.A. Abbas Keki N. Daruwalla Khushwant Singh Manjula Padmanabhan Manoj Das Manohar Malgonkar Mulk Raj Anand Nayantara Sahgal Nergis Dalai Padma Hejrnadi R.K. Narayan Raja Rao Ruskin Bond Santha Rarna Rau Shashi Deshpande.

The rich and varied body of writing in the Indian languages has grown immeasurably in the last hundred years. This collection of short stories brings together some perennial favourites from this vast treasure trove, written by acknowledged masters of the art and sensitively translated. The twenty-three stories included deal with themes central to modern India: caste, gender politics and emerging changes in the traditional family structure. These are striking vignettes from all parts of the country, evocative of different lifestyles yet reflective of common issues and problems with which we can all identify.

A Selection Of The Most Enjoyable And Popular Short Stories From India. Best Loved Indian Stories Brings Together Tales From Different Parts Of The Country That Have Enthralled Readers Of All Ages. This Volume, The First Of Two, Represents The Best English Stories Written By Indians In The Twentieth Century. In These Twenty Stories You Will Meet Unforgettable Characters Like The Inimitable Muni With His Two Goats In R.K. Narayan S Classic A Horse And Two Goats', The Pious Vishnu In Khushwant Singh'S 'The Mark Of Vishnu , The Innocent Basket-Seller With The Enchanting Eyes In Ruskin Bond'S Unforgettable 'Night Train At Deoli', The Dying Grandmother With Her Eccentric Demands In Githa Hariharan'S Remains Of The Feast And Many Other Men And Women Who Have Touched Our Lives Over The Generations. The Authors Included In This Volume Are: Anjana Appachana Anita Desai Attia Hosain Bharati Mukherjee Githa Hariharan K.A. Abbas Keki N. Daruwalla Khushwant Singh Manjula Padmanabhan Manoj Das Manohar Malgonkar Mulk Raj Anand Nayantara Sahgal Nergis Dalai Padma Hejrnadi R.K. Narayan Raja Rao Ruskin Bond Santha Rarna Rau Shashi Deshpande

Twenty classic short stories from master writers across the country This superb collection contains some of the best Indian short stories written in the last fifty years, both in English and in the regional languages. Some of these stories – ‘We Have Arrived in Amritsar’ by Bhisham Sahni, ‘Companions’ by Raja Rao, ‘The Sky and the Cat’ by U.R. Anantha Murthy, ‘A Devoted Son’ by Anita Desai – have been widely anthologized and are well known. Others, like Premendra Mitra’s ‘The Discovery of Telenapota’, Gangadhar Gadgil’s ‘The Dog that Ran in Circles’, Mowni’s ‘A Loss of Identity’, O.V. Vijayan’s ‘The Wart’ and Devanuru Mahadeva’s ‘Amasa’, are less familiar to readers but are nevertheless classics of the art of the short story. This new and revised edition includes three additional classics: R.K. Narayan’s ‘Another Community’, Avinash Dolas’s ‘The Victim’ and Ismat Chughtai’s ‘The Wedding Shroud’. The Penguin Book of Modern Indian Short Stories is a marvellous and entertaining introduction to the rich diversity of pleasures that the Indian short story–a form that has produced masters in over a dozen languages–can offer.

A New York Times Book Review Editors' Choice Multilayered, subtle, insightful short stories from the inimitable Booker Prize–winning author, with an introduction by Anita Desai Nobody has written so powerfully of the relationship between and within India and the Western middle classes than Ruth Prawer Jhabvala. In this selection of stories, chosen by her surviving family, her ability to tenderly and humorously view the situations faced by three (sometimes interacting) cultures—European, post–Independence Indian, and American—is never more acute. In “A Course of English Studies,” a young woman arrives at Oxford from India and struggles to adapt, not only to the sad, stoic object of her infatuation, but also to a country that seems so resistant to passion and color. In the wrenching “Expiation,” the blind, unconditional love of a cloth shop owner for his wastrel younger brother exposes the tragic beauty and foolishness of human compassion and faith. The wry and triumphant “Pagans” brings us middle–aged sisters Brigitte and Frankie in Los Angeles, who discover a youthful sexuality in the company of the languid and handsome young Indian, Shoki. This collection also includes Jhabvala’s last story, “The Judge’s Will,” which appeared in The New Yorker in 2013 after her death. The profound inner experience of both men and women is at the center of Jhabvala’s writing: she rivals Jane Austen with her impeccable powers of observation. With an introduction by her friend, the writer Anita Desai, At the End of the Century celebrates a writer’s astonishing lifetime gift for language, and leaves us with no doubt of Ruth Prawer Jhabvala’s unique place in modern literature. "The stories—all of them elegantly plotted and unsentimental, with an addictive, told–over–tea quality—are largely character studies of people isolated, often tragically, by custom or self–delusion . . . Vivid, unsparing portraits are leavened with the kind of humanizing moments that evoke a total world within their compression."—Megan O’Grady, The New York Times Book Review

This anthology testifies to women`s many concerns, whether witht a way of life, or with being caught inside the fur walls of the home, or in a relationship with someone other than the husband, or being caught at the intersection of many forces within a situation of political violence and armed conflict. In one way or another the woman`s body becomes a site upon which many battles take place; for control, for power, for progeny, but there is seldom a resolution in which the women remains a mere victim, or more acted upon than acting. Whether she is in the palaces of the gods, or caught in the body of snake, or speaking through the spirit of the countrside which witnessed her rape, the woman`s voice is unique, singular and in each story, different. While this gives substance to the cliche that India is a countr where many and varied realities exist simultaneously, it gives the lie to the cliche that all women speak with a sameness and a commonality of experiences.

An anthology that reveals the immense diversity of Indian literature. The rich and varied body of writing in the Indian languages has grown immeasurably in the last hundred years. This collection of short stories brings together some perennial favourites from this vast treasure trove, written by acknowledgement masters of the art and sensitively translated. The twenty-three stories included here deal with themes central to modern India: caste, gender politics and emerging changes in the traditional family structure. These are striking vignettes from all parts of the country, evocative of different lifestyles yet reflective of common problems and issues with which we can all identify. The authors included in this volume are: Guzada Apparao Manik Bandyopadhyay P.B. Bhave Chaaso Krishan Chandar Jogesh Das Dhumaketu Kirit Doodhat Gangadhar Gadgil Masti Venkatesha Iyengar Amin Kamil Saadat Hasan Manto Godavarish Mohapatra Thakazhi Sivasankara Pillai Pudumai Pithan Premchand C. Rajagopalachari Fakir Mohan Senapati Kilwant Singh Virk Krishna Sobti Rabindranath Tagore K.P. Poornachandra Tejasvi.