This anthology puts together some sixty-six short stories in English written by Filipino authors within forty years following the introduction of English in the Philippines. Originally published in periodicals now long out of circulation, they have been given this more enduring form through the efforts of Leopoldo Y. Yabes, a well-known literary critic, scholar, and educator. Students of Philippine literature will find this anthology invaluable as a reference and will appreciate the discussion and information provided by the editor in his introductory essays.

First anthology of Villa's essays written from the 1920s to the 1950s, which created a canon of Philippine fiction and poetry--essays counting as among the most significant in Philippine literary criticism in English. Includes the famed annual Villa selection of best short stories and poems, occasional critical essays and letters to the editor, and unpublished pieces. With extensive explanatory and bibliographic notes.

It is a selection of some twenty-nine Arcellana short stories written and published over a period nearly four decades. Many of these short stories have seen several reprints in various anthologies and literature textbooks for Philippine schools, as well as translations from the original English into German, Italian, Russian, Korean (besides Tagalog) and published in their respective countries. -- BACK COVER.

Part of the American Literatures Initiative Series Beyond the Nation charts an expansive history of Filipino literature in the U.S., forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first. Martin Joseph Ponce theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process. Beyond the Nation considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. Ponce elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, Ponce proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities.

Looks at thirty key events that had a profound influence on the course of human history, from the assassination of William the Silent whose death may have triggered the 1588 launch of the Spanish Armada, to twelve anti-slavery activists who bucked the establishment to outlaw slavery in Britain.