This anthology is the essential resource for readers, critics, and publishers interested in contemporary European literature. In this, the eighth installment of the series, the anthology continues its commitment to uncovering the best prose writing happening across the continent from Ireland to Eastern Europe. Also featuring an erudite prefatory essay written by Eileen Battersby of the Irish Times, Best European Fiction 2017 is another essential report on the state of global literature in the twenty-first century.

Brings together many of the finest fiction writers from throughout Europe, representing thirty-two countries.

Best European Fiction 2018 brings together some of the most innovative writers working in Europe today.

In collaboration with Hay Festival and Wom@rts. Introduced by Laura Bates, founder of the Everyday Sexism Project. ‘To be European,’ writes Leïla Slimani, ‘is to believe that we are, at once, diverse and united, that the Other is different but equal.’ Despite these high ideals, however, there is a growing sense that Europe needs to be fixed, or at the least seriously rethought. The clamour of rising nationalism – alongside widespread feelings of disenfranchisement – needs to be addressed if the dreams of social cohesion, European integration, perhaps even democracy are to be preserved. This anthology brings together 28 acclaimed women writers, artists, scientists and entrepreneurs from across the continent to offer new perspectives on the future of Europe, and how it might be rebuilt. Featuring essays, fictions and short plays, Europa28 asks what it means to be European today and demonstrates – with clarity and often humour – how women really do see things differently. ‘Inspiring, essential, honest and deeply humane... This brilliant collection takes readers on a brave journey into our beloved continent, Europe, daring to tell the stories beyond its centres of power and privilege.’ - Elif Shafak

A New York Times bestseller, this definitive history of Ukraine is “an exemplary account of Europe’s least-known large country” (Wall Street Journal). As Ukraine is embroiled in an ongoing struggle with Russia to preserve its territorial integrity and political independence, celebrated historian Serhii Plokhy explains that today’s crisis is a case of history repeating itself: the Ukrainian conflict is only the latest in a long history of turmoil over Ukraine’s sovereignty. Situated between Central Europe, Russia, and the Middle East, Ukraine has been shaped by empires that exploited the nation as a strategic gateway between East and West—from the Romans and Ottomans to the Third Reich and the Soviet Union. In The Gates of Europe, Plokhy examines Ukraine’s search for its identity through the lives of major Ukrainian historical figures, from its heroes to its conquerors. This revised edition includes new material that brings this definitive history up to the present. As Ukraine once again finds itself at the center of global attention, Plokhy brings its history to vivid life as he connects the nation’s past with its present and future.

An unflinching and intelligent alternative history of the twentieth century that provides a provocative vision of Europe's past, present, and future. "[A] splendid book." —The New York Times Book Review Dark Continent provides an alternative history of the twentieth century, one in which the triumph of democracy was anything but a forgone conclusion and fascism and communism provided rival political solutions that battled and sometimes triumphed in an effort to determine the course the continent would take. Mark Mazower strips away myths that have comforted us since World War II, revealing Europe as an entity constantly engaged in a bloody project of self-invention. Here is a history not of inevitable victories and forward marches, but of narrow squeaks and unexpected twists, where townships boast a bronze of Mussolini on horseback one moment, only to melt it down and recast it as a pair of noble partisans the next.