A celebration of the rich and varied work of Italian-born American artist, designer, and master of metal, Harry Bertoia From chapel altarpieces and bronze fountains, to wire chairs and silver brooches, Harry Bertoia's creative output was varied in the extreme. This new book explores his entire career: his move from Italy to Detroit at 15; his formative years at Cranbrook; his work with Charles Eames and Knoll; through to his fascinating sound sculptures. In doing so, the book demonstrates how seemingly disparate works are in fact united in being reflections of nature, and places Bertoia's art squarely at the heart of American modernism.

The author's own critical analyses of individual pieces are based on direct observations made during trips to the various cities in which Bertoia's sculptures are located.

Caroline Popov, alone, heartbroken, and deeply in debt ends up in glamorous Palm Springs, California where Native casinos have just opened, offering employment to thousands. She lands a job at the Palm Oasis Casino where she is mentored by the charismatic tribal chairman, John Tovar. Embraced by casino culture, Caroline works her way up to casino manager of the Night Hawk, in the High Desert town of Joshua Tree. There, she is responsible for managing multicultural team members, satisfying the demands of often unique guests, and growing revenue while rooting out corruption. In the process of rediscovering her inner strength, she learns, you have to gamble like your life depends on it. Because it often does.

A representation of the principal styles and themes that emerges from Harry Bertoia’s printmaking and structure work. The seventy-nine monotypes in this catalogue represent the principal styles and themes that emerged not only in Harry Bertoia's printmaking, but in his sculpture as well. June Kompass Nelson, author of Harry Bertoia, Sculptor, analyzes the graphic works and places them in the context of Bertoia's total oeuvre, with particular regard to their relationship with his sculpture. A teacher of metalwork and printmaking at the Cranbrook Academy of Arts in Bloomfield Hills, Michigan, Bertoia began working in monotype in 1940—nearly a decade before his first attempts at sculpture—and continually returned to the medium until his death in 1978. Nelson's introduction, biographical material, and well-documented chronology contribute to the portrait of a Michigan artist of international repute who maintained his "regionalist sensibility".

The brilliant mid-century modern artist, Harry Bertoia (1915-1978), left a rich legacy of art and design, each with an intriguing history. And yet, while just about everyone has seen the Diamond Chair, few can identify Harry Bertoia as its designer. Even fewer recognize the Bertoia sculptures and other monumental pieces at various public venues. This important volume, illustrated with over 200 revealing photos, allows easy identification and appreciation of Bertoia's work. Written with insights that only a daughter could offer, this impressive book also reveals the complex man behind the fascinating art. Personal letters and family anecdotes offer a deep look into the life and motivations of this profound metal artist. Not only will readers get a peek at the behind-the-scenes skirmishes involved in making art, but will also gain insight into the philosophy as well as technical innovation of this dynamic artist.

American sculptor, designer, print artist Harry Bertoia (1915-1978) made thousands of monoprints on rice paper to record his shape ideas. Many ultimately became the basis of sculptures during his forty-year career. Here over 1500 of his fascinating monoprints are presented with their identifying numbers and dimensions. The importance of these artworks to Bertoia's career is acknowledged. Contributions to the text from Bertoia's children present their feelings when they see these astounding images and recall the years of enthusiastic discussions with their father. The book adds an important volume to references about Harry Bertoia's work, which includes sculpture as commissions for institutions throughout America.

Drawings from a Dying Child concerns a young girl, Rachel, terminally ill with leukaemia. The book describes a series of drawings she made and shows how they reveal her inner experience, how she became fully aware that she was dying and even came to accept death. The result is a moving and informative story that will be invaluable to caregivers and families with a dying child. It provides new understanding of the experience of a dying child and suggests practical strategies for coping.