An apple's wish to see the world is fulfilled when he goes flying with the weathervane cock.

Organised around an extensive essay by Larys Frogier, this monograph offers an overview of the work of Adel Abdessemed.

The Rijksmuseum and Ordovas are staging a unique joint exhibition in the autumn, centred around paintings and etchings by Rembrandt (1606–1669) on loan from the collection of the Rijksmuseum, in conversation with paintings by Frank Auerbach (b. 1931). The exhibition brings together a striking group of landscapes and portraits by Rembrandt Harmensz. van Rijn, and Frank Auerbach, the renowned British artist. Frank Auerbach is a painter steeped in tradition and his engagement with the Old Masters, and Rembrandt in particular, is well known and documented. He has been making drawings from, and occasionally producing paintings in response to, the Rembrandts and other Old Masters in the collection of the National Gallery throughout his career, as demonstrated in the 1995 exhibition at the National Gallery, 'Frank Auerbach and the National Gallery: Working after the Masters'.0Exhibition: Ordovas Gallery, London, UK (4.10.-1.12.2013) / Rijksmuseum Amsterdam, the Netherlands (12.12.2013-16.3.2014).

Edited by Janet Bishop, Corey Keller, Sarah Roberts. Foreword by Neal Benezra. Text by Gary Garrels, Henry Urbach, Sandra S. Phillips, et al.

- The comprehensive monograph of the Norwegian conceptual artist Bård Breivik- Includes 875 stunning color and black & white imagesThe work of the Norwegian artist Bård Breivik unfolds over more than 1,000 pages in a stunning presentation of a career in sculpture and Conceptual art encompassing more than forty years. Thematically arranged source material, including interviews, sketches, anecdotes and reviews, elucidate the phenomenon that is Bård Breivik. The sheer volume of his oeuvre is also reflected in his choice of materials: he switches as if by sleight of hand between sand and snow, wood, rock and steel. In a series that has continued to evolve since 1986, he has persisted in working on vertically arranged forms 120 cm in length, which have been designed with the means of differing cultural traditions, thus retaining their uniqueness. Volume I: I'd Love the Key to the Master Lock Volume II: The Life and Art of Bård Breivik" With contributions by Jan H. Landro, Mats B, Per Gunnar Eeg-Tverbakk, Sigurdur Gudmundsson, Stig Holmaas, Ingvild Krogvig, Gerhard Stoltz, Arvid Pettersen, Jorunn Veiteberg, Lars Nittve, Jan Håfström, Ulf Rollof, Paul Osipow, Sune Nordgren, Bo Nilsson, Gerd Tinglum/Hilmar Fredriksen, Georg Morgenstern, Sverre Wyller, Martin Puryear, Jørgen Lund, Janne Stang Dahl, Wu Hong, Frode Sandvik, Lars Nittve, Ika Kaminka, Cato Litangen, Henrik Roaldsnes, Aslaug Nyrnes.