The book is not traditional by any means due to the author's ability to display imagines through spoken word which in-turn captures the reader's and brings them in his poetry through his eyes. This book will inspire the reader to move closer to following their individual dreams and proves it is never too late.

Emily Berry's Dear Boy was described as a 'blazing debut', winning the Forward Prize for Best First Collection in 2013. Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'

It's 1942: Tomi Itano, 12, is a second-generation Japanese American who lives in California with her family on their strawberry farm. Although her parents came from Japan and her grandparents still live there, Tomi considers herself an American. She doesn't speak Japanese and has never been to Japan. But after the Japanese attack on Pearl Harbor, things change. No Japs Allowed signs hang in store windows and Tomi's family is ostracized. Things get much worse. Suspected as a spy, Tomi's father is taken away. The rest of the Itano family is sent to an internment camp in Colorado. Many other Japanese American families face a similar fate. Tomi becomes bitter, wondering how her country could treat her and her family like the enemy. What does she need to do to prove she is an honorable American? Sandra Dallas shines a light on a dark period of American history in this story of a young Japanese American girl caught up in the prejudices and World War II.

A portrait of one of America's most profound and honest thinkers, this book combines biographical sketches, personal accounts, literary criticism, and social commentary to illuminate Berry as he is: a complex man of place and community with a depth of domestic, intellectual, filial, and fraternal attributes.

Farmer and conservationist Wendell Berry has published more than thirty books, making his name a household word among environmentalists. From his Kentucky farm, Berry preaches and practices stewardship of the land as he seeks to defend the value and traditions of farm life in an industrial capitalist society. A central figure in the greening of American agrarianism, Berry has been an advocate of small farming and traditional values who has tirelessly reminded readers that sustainable agriculture is more than a catchphrase. Kimberly Smith now reveals the depth of his ideas and their relevance for American social and political theory. Berry's central teaching focuses on the fragility of our natural and social worlds; Smith's timely book revisits the problem of living a meaningful life in a world filled with both deadly perils and unimagined possibilities. Hers is the first book to explore the implications of this central tenet and other key aspects of Berry's thought, as well as his overall contribution to environmental theory and politics. Smith shows how the many strands of Berry's thought can be woven together into a coherent agrarian philosophy. Focusing on his relationship to the American agrarian and environmental traditions, she examines how Berry's ecological agrarianism derives from the concept of "grace," or living in concert with nature and society. Along the way, she defends his social theory against accusations of utopianism, shows how his moral theory subverts the notion of rugged individualism usually associated with farming, and reviews his political theory's argument for decentralized democracy. By assessing Berry's reformulation of democratic agrarianism, Smith goes beyond any previous critiques of his writing, and her exploration of Berry's moral vision shows that such vision is more relevant as America continues to move further away from its agrarian past.

Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.

In today's fast-food world, Christianity can seem outdated or archaic. The temptation becomes to pick up the pace and play the game. But Chris Smith and John Pattison invites us to leave franchise faith behind and enter the kingdom of God, where people know each other well and love one another as Christ loves the church.