A definitive scholarly edition of the correspondence and papers of Albert Einstein During the period covered by this volume, Einstein aims to discover whether one can derive the electron’s equations of motion directly from the field equations of general relativity, and he embarks on a new approach to unified field theory founded on teleparallel geometry. On these topics, he engages in exchanges with J. Grommer, C. Lanczos, and particularly with C. H. Müntz, and corresponds with mathematicians like R. Weitzenböck and É. Cartan. Einstein attends what will be considered a historic 1927 Solvay Conference where the new quantum mechanics is discussed, but in fact he makes very few remarks. In an important prelude to his eventual emigration to the United States, he is invited in September 1927 to accept a research professorship at Princeton University. Despite the sudden onset of a severe heart ailment in 1928, followed by an almost year-long period of convalescence, Einstein maintains a sustained engagement with scientific work, correspondence, and social and political issues. He publishes many articles and interviews designed for a popular audience and continues various technical preoccupations, including publishing a patent for a novel “people’s” refrigerator and being intimately involved in the design of his famous sailboat. Einstein advocates for domestic legislative reform, gay and minority rights, European rapprochement, and conscientious objection to military service. He resigns from his positions at the Hebrew University. He also tries to avoid the fanfare marking his fiftieth birthday in March 1929 yet is “buried under a paper avalanche” from the tributes. His hiring of Helen Dukas as his assistant, who accompanies Einstein to the end of his life, is of great significance for the ultimate preservation of his written legacy.

With The Archive of the Sing-Akademie zu Berlin. Catalogue a complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature – microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles by the following musicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule für Musik, Würzburg), Klaus Hortschansky (University of Münster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum für Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).

Well before Germany emerged as a single nation or chemistry as a clearly defined profession, German chemists had formed a national scientific community that presaged the increasing specialization so characteristic of modern science. It found a forum in the chemical journal established by Lorenz Crell in 1778. It proved its cohesiveness first by rejecting Lavoisier's theory on nationalistic grounds and then, after a fierce struggle, by rallying behind "the French system." This pioneering study of the early German chemical community is rich in implications for the social history of science. Charts, tables, graphs and illustrations.