Berlinde De Bruyckere's work prompts the viewer to respond. That is why it has a particular appeal for writers of literature: they are fascinated by the compositions of distorted parts of humans and horses that refer to horror and comfort, to a cruel death and the sublime. De Bruyckere empties the bodies. Through holes, the public notices the darkness of a world inside that both appeals and repels. There is space around her work that resonates and in which writers can indulge in creativity -not by writing about objects, but by juxtaposing the work with creative texts. The author does not remove meanings of the work by trying to explain it, but rather adds to its meaning by responding to art with art. Nobel Prize winner J.M. Coetzee rises to this challenge: together with De Bruyckere he has chosen fragments from his impassioned and unsettling novels that are full of great beauty. Thus, the two present a composition of texts and images that from inside illuminates the dark world of their work.

A phenomenon in contemporary art, Flemish artist Berlinde De Bruyckere creates dynamic, often unsettling works that straddle the line between real and metaphorical bodies. In dialogue here with earlier works by Cranach the Elder and controversial poet and filmmaker Pier Paolo Pasolini, De Bruyckere's sculptures in wool, wood, wax, and hair reveal a sense of loneliness and physical vulnerability and explore issues surrounding the corporeality of man--issues more relevant than ever in an age when science is increasingly capable of mimicking nature. Created in partnership with the Stiftung Moritzburg in Halle--and accompanying exhibitions at the Bern Kunstmuseum and Vienna Kunsthalle--this catalogue includes illustrations of artworks by De Bruyckere, Cranach and Pasolini, as well as an essay by the philosopher Gernot Böhme setting the works of art in the context of German philosophy and current ethical issues.

Belgium-based Berlinde de Bruyckere (born 1964) makes sculptures in wax, wood, wool, horse skin and hair. Here, texts from Rudolf Sagmeister and De Bruyckere explore the work in relation to Christian iconography and the theme of metamorphosis.

The Belgian artist Berlinde De Bruyckere (born 1964) owes her fame in the contemporary art world in the very innovative way in which she approaches sculpture. This publication is the first monograph devoted to De Bruyckere. This book gives us a definitive and comprehensive look at the variety of her work over the past twenty years. The book includes the first sculptures of De Bruyckere from the 1990s, especially reflections on the human figure made of wax and wool, her later sculptures of horses who assured her international fame, as well as the fascinating installation she made recently for the Belgian Pavilion at the Biennale di Venezia (2013). The work of De Bruyckere, which are discussed here in more than two hundred beautiful illustrations, full of strange contradictions - they are both inviting and confusing, anatomical and abstract. This book is an invaluable source of information about an artist who works with her provocative and exerts a decisive impact on the contemporary art canon. The work contains two philosophical essays written by philosopher and theorist Emmanuel Alloa and art historian Angela Mengoni, while Gary Carrion-Murayari provides a sensitive reflection on the graphic work of the artist. Exhibition: SMAK, Ghent, Belgium (18.10.2014-08.02.2015) / Gemeentemuseum Den Haag, the Netherlands (28.02.-06.28.2015).

This book focuses on recent sculptures and installations by Belgian artist Berlinde de Bruyckere and provides a rare and intimate glimpse into her studio and working process. De Bruyckere uses a range of sculptural media, including wax, wood, wool, horse skin, and hair which are combined to create compelling forms that suggest distorted human and animal bodies. Her figures are often faceless, malformed and fragmentary. They perch precariously on high stools or are suspended from the walls, ceiling or tall iron columns. At first their shape seems familiar although they resist interpretation, offering a disturbing vision of fragility and suffering and they appear vulnerable and violated, their skin stretched and broken. The works presented in the book invoke the Schmerzensmann, the eternal Man of Suffering, and focus on eight sculptures in wax, one of the artists preferred materials. The texture of the pallid wax suggests a skin so thin and fragile that it is almost translucent. Close inspection reveals subtly mottled hues and textures that imply vulnerability to heat and cold but also to the more intangible threat of violence and fear. Each of the eight sculptures is illustrated from many viewpoints, offering the chance to examine in detail their form, surface texture, spatiality and relation to the viewer.

Genius, bohemian, social rebel, moral provocateur, charismatic visionary. The artist has always been surrounded by enchanting myths. Today many aspects of artistic practice are shifting and, as a result, creating new relationships between the artist and art institutions, collectors, and the art market. Briefly but inspiringly, Marta Gnyp analyzes the phenomena that have influenced and shaped the context in which contemporary artists produce their artworks and present them to the public and collectors.

Vitamin 3-D provides an essential blend of sculpture and installation made by today's most influential artists. Featuring innovative new work from around the globe, Vitamin 3-D's patented formula will expand and enrich your perception of artworks in all three dimensions.