On a remote farm in northern Norway, eighty-year-old Anna Neshov is rushed to hospital after suffering a stroke. Her three sons have not spoken in some time. Margido, a devout Christian, works in Trondheim as a funeral director. Erlend, a successful window dresser, lives a life of luxury in a penthouse in Copenhagen, while Tor, the eldest brother, remains rearing pigs on the decaying family farm. Aware of her failing health, the trio reluctantly reunite over the winter holidays, where unexpected guests and the question of inheritance prompt the revealing of some bizarre, and devestating, truths. Winner of the Riksmål Prize in Norway.

"A deep . . . dive into urban society's need for--and relationship with--trees that sought to return the natural world to the concrete jungle."--Adrian Higgins, Washington Post Winner of the Foundation for Landscape Studies' 2019 John Brinckerhoff Jackson Prize Today, cities around the globe are planting street trees to mitigate the effects of climate change. However, as landscape historian Sonja Dümpelmann explains, the planting of street trees in cities to serve specific functions is not a new phenomenon. In her eye-opening work, Dümpelmann shows how New York City and Berlin began systematically planting trees to improve the urban climate during the nineteenth century, presenting the history of the practice within its larger social, cultural, and political contexts. A unique integration of empirical research and theory, Dümpelmann's richly illustrated work uncovers this important untold story. Street trees--variously regarded as sanitizers, nuisances, upholders of virtue, economic engines, and more--reflect the changing relationship between humans and nonhuman nature in urban environments. Offering valuable insights and frameworks, this authoritative volume will be an important resource for years to come.