During Mac DeMarco's European Tour in the fall 2017 Stefan Marx joined the band for a few stops to draw on stage during Mac DeMarco's live performance. Hiding in the back of the band, he got time to capture a unique view on the five musicians, the whole performance, some behind the scenes moments and the audience. This artist book contains most of the drawings from these concerts and is compiled by Stefan Marx, it is his 26th publication with Nieves.00Stefan Marx is a Berlin based artist. His work is drawing based and exhibited internationally. His artist books are published by Nieves, Rollo-Press, and Christoph Keller Editions/JRP Ringier ? beside these releases he publishes regularly by himself. All Smallville Records releases are visually defined by Marx? drawings. Since 2017 he works with the Berlin based porcelain manufacture KPM on various projects, he has lectured widely and taught Drawing at the Bauhaus University in Weimar.

Stefan Marx is an actor of the skateboard scene, whose drawings usually adorn productions of his label 'The Lousy Livincompany'. An expression of everyday's experience with a critical distance, his black and white drawings, overpainted flyers and enigmatic slogans are anchored in street culture but address our cultural awareness. After a number of zines and independent publications, this book offers a first overview of his practice. The publication is part of the series of artists' projects edited by Christoph Keller.

An original and challenging study of Marxist aesthetic theory from an art-historical perspective.

Notes to Literature is a collection of the great social theorist Theodor W. Adorno’s essays on such writers as Mann, Bloch, Hölderlin, Siegfried Kracauer, Goethe, Benjamin, and Stefan George. It also includes his reflections on a variety of subjects, such as literary titles, the physical qualities of books, political commitment in literature, the light-hearted and the serious in art, and the use of foreign words in writing. This edition presents this classic work in full in a single volume, with a new introduction by Paul Kottman.

"This is a study of what the main ""aesthetic"" writers of late 19th-century Britain made of German literature, and of how Germany in turn reacted to them. The impact of Anglo-Scottish art nouveau in fin-de-siecle Austria and Germany made it predictable that Keats, Pater and Rossetti, among others, would be well received, but no one could have known in advance that by the time of their deaths, Swinburne and Wilde would be more highly regarded in Germany than in Britain. Bridgwater's documented study casts light on the central cultural issues of the day, including ideas of morality, truth and subjectivism in art, comparing Pater and Wilde with Nietzsche, and George Moore, that chameleon of the decadent 90s, with Schopenhauer."