The comprehensive biography of the iconic twentieth-century American photographer Berenice Abbott, a trailblazing documentary modernist, author, and inventor. Berenice Abbott is to American photography as Georgia O’Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott’s sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott’s fascinating life has long remained a mystery—until now. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris—photographing, in Sylvia Beach’s words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city’s metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery—then Manhattan’s skid row—Abbott shot back, "I’m not a nice girl. I’m a photographer…I go anywhere." This bold, feminist attitude would characterize all Abbott’s accomplishments, including imaging techniques she invented in her influential, space race–era science photography and her tenure as The New School’s first photography teacher. With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott’s place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.

A biography of Berenice Abbott, who was a pioneer in the field of professional photography and is particularly acclaimed for her photographs of the streets and buildings of New York City before they were replaced by skyscrapers during a building boom in the 1920s and early 1930s.

The Realisms of Berenice Abbott provides the first in-depth consideration of the work of photographer Berenice Abbott. Though best known for her 1930s documentary images of New York City, this book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.

A re-release of an acclaimed volume features definitive images of 1930s New York, in a deluxe edition that features more than three hundred duotones as taken with the support of the WPA's Federal Art Project documenting Depression-era changes throughout the city. Reissue.

Berenice Abbott was an American photographer best known for her black-and-white photography of New York City architecture and urban design of the 1930s. Abbott's style of straight photography helped her make important contributions to scientific photography, as shown in this book.

In 1935 the renowned photographer Berenice Abbott set out on a five-year, WPA-funded project to document New York's transformation from a nineteenth-century city into a modern metropolis of towering skyscrapers. The result was the landmark publication Changing New York, a milestone in the history of photography that stands as an indispensable record of the Depression-era city. More than sixty years later, New York is an even denser city of steel-and-glass and restless energy. Guided by Abbott's voice and vision, New York photographer Douglas Levere has revisited the sites of 100 of Abbott's photographs, meticulously duplicating her compositions with exacting detail; each shot is taken at the same time of day, at the same time of year, and with the same type of camera. New York Changing pairs Levere's and Abbott's images, resulting in a remarkable commentary on the evolution of a metropolis known for constantly reinventing itself.