The present collection forges new ground in the discussion of aristocratic and royal women, their relationships with their objects, and how they, through this material record, navigated the often-disparate spaces of Byzantium, Eastern, and Western Europe from 400 to 1500.

Richard the Lionheart is one of the most famous of medieval heros, but what is known about the young woman he married, in Cyprus in May 1191, on the way to the Third Crusade? History has marginalized her, and popular tradition has all but overlooked her but the early sources, sparse though they are, reveal a woman of remarkable courage and tenacity who endured loneliness and hostility both as a queen consort and during her long years of widowhood. Her life tells us much about the fortunes of women in a male-dominated era and the role of a queen in the struggle between England and France at the time.

Forgotten Queens in Medieval and Early Modern Europe examines queens dowager and queens consort who have disappeared from history or have been deeply misunderstood in modern historical treatment. Divided into eleven chapters, this book covers queenship from 1016 to 1800, demonstrating the influence of queens in different aspects of monarchy over eight centuries and furthering our knowledge of the roles and challenges that they faced. It also promotes a deeper understanding of the methods of power and patronage for women who were not queens, many of which have since become mythologized into what historians have wanted them to be. The chronological organisation of the book, meanwhile, allows the reader to see more clearly how these forgotten queens are related by the power, agency, and patronage they displayed, despite the mythologization to which they have all been subjected. Offering a broad geographical coverage and providing a comparison of queenship across a range of disciplines, such as religious history, art history, and literature, Forgotten Queens in Medieval and Early Modern Europe is ideal for students and scholars of pre-modern queenship and of medieval and early modern history courses more generally.

Beloved author Norah Lofts brings to life the romance and adventure of the crusading king Richard the Lionhearted through the eyes of his most humble and trusted companion -- his lute player. One of the most renowned figures in medieval history, Richard the Lionhearted, inspired by a vision of the Holy Land, led his knights onto the battlefields of the Third Crusade. During the years of fighting and intrigue, Richard's life was intertwined with the lives of two strong, vibrant, and drastically different women who loved him -- Berengaria, princess of Navarre, and his mother, Eleanor of Aquitaine. While his marriage to Berengaria was ill-fated, Eleanor loved her son with a frantic, possessive pride. But it is Blondel, the king's lute player, who here steps forward from the shadows to tell this tale of romance, war, and betrayal. In her trademark style, Norah Lofts paints a complex and human portrait of a legendary king.

Legend and lore surround the history of kings Richard and John, from the ballads of Robin Hood and the novels of Sir Walter Scott to Hollywood movies and television. In the myth-making, King Richard, defender of Christendom in the Holy Land, was the "good king," and his younger brother John was the evil usurper of the kingdom, who lost not only the Crown jewels but also the power of the crown. How much, though, do these popular stereotypes correspond with reality? Frank McLynn, known for a wide range of historical studies, has returned to the original sources to discover what Richard and John, these warring sons of Henry II and Eleanor of Aquitaine, were really like, and how their history measures up to their myth. In riveting prose, and with attention to the sources, he turns the tables on modern revisionist historians, showing exactly how incompetent a king John was, despite his intellectual gifts, and how impressive Richard was, despite his long absence from the throne. This is history at its best-revealing and readable.