Welcome to the rhythm Bembe! This book/Audio set isa self-study methoddesigned to reveal the beautiful music that has been developed and maintained in Cuban culture. This is accomplished through reading, interpreting percussion charts, and interacting with a series of audio recordings and exercises which concentrate on the drum, percussion, and vocal parts of therhythm Bembe. While working through the progressive exercises and charts, you will begin to understand rhythms with a triplet swing, in otherwords, rhythms in multiples of three beats. In traditional Bembe, the supporting drums tend to remainrhythmically fixed, not deviating from a basic pattern. Also,traditional Bembe usually incorporates only a single mid-range support drum. In this lesson,some of the artistic license has been applied to these traditional aspects, adding a second mid-rangedrum to the ensemble, and expanding on the basic dialogues maintained between the supporting drums. Course objectives, a bibliography, and an extensive glossary are included. Includes access to online audio

Interact and Learn is the overriding theme of this outstanding book and companion online audio. This progressive self-study course is designed to exposethe percussion student to the seductive and complex Cuban rumba style knownas guaguanco. The author offers a generous dose of text and percussion charts to be used with the recorded exercises. The rumba ensemble typically includes: claves; low, midrange, and high-pitched conga drums; the madruga (shaker) palitos (sticks applied to a hollow wooden cylinder), and vocal elements. The comprehensive quality of this book might best be illustrated by the author's emphasison using the three conga drums as pitched, melodic instruments. Sitting and hand positions and drum techniques are clearly illustrated with photographs as is the convenient instrumental glossary.This book also provides useful courseand lesson objectives for self-evaluation. The companion Audio presents percussion concepts and instruments individually and in conversation. All in all, this Book/Audio package offers a fabulous introduction. Includes access to online audio

The ultimate technical study of four-way independence based on Afro-Cuban rhythms. This detailed and methodical approach will develop four-limb coordination and expand rhythmic vocabulary. Understanding the clave and the relationship between eighth-note and triplet rhythms will aid in mastering the multiple and complex rhythms of Afro-Cuban styles.

This course examines the infusion of traditional Afro-Latin and especially Afro-Cuban concepts into contemporary Western music. Upon completion of this book you will have mastered many new skills that will help you become a more accomplished percussionist and, more importantly, a more complete musician. By exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition. While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit. There is no standard notation in this book; rather, the rhythms are illustrated with easily understood charts based on counting out subdivided beats. Two companion CDs offer audio examples of all major points.

This book and accompanying audio are a perfect introduction to the conga drum. The book includes lessons on music notation, posture, positioning, tuning, and hand strokes. There are also many exercises, examples of Latin rhythms, andeven some history of the instrument. Written by best-selling Mel Bay author Trevor Salloum, this method is all you need to start playing the conga today!

This comprehensive book presents a wealth of information about the Brazilian frame drum known to musicians as the pandeiro. Pandeiro Basics presents so much more than a method or set of playing techniques; herein, you will find a historical introduction to numerous Brazilian musical styles, rhythm patterns with contextual references typically performed on the pandeiro, and an introduction to principal pioneer performers on the instrument. These patterns are represented in standard percussion notation with note values represented on a single line. In addition, you will learn the secret to playing the pandeiro with constant 16th note rotation in one hand while playing the patterns with your other. Technique will include how to get varying kinds of sounds out of the drumhead, as well as muting and technical-style differences. The author provides dozens of listening suggestions for readers. Consulting these recordings will familiarize you with some great choro and samba soloists and groups that use the pandeiro, guaranteeing stylistic authenticity in your own renditions as you learn pandeiro parts for choro, samba, maxixe, baião, côco, valsa, frevo, afoxé, funk rhythms, and more. The book culminates in a pandeiro duet followed by a pandeiro-specific FAQ list. For example, “How do you get a roll out of the pandeiro?” The answer is in here. The author—herself an outstanding percussionist, recording artist and player of the 10-inch choro model—offers extensive tips on finding, selecting, holding, tuning, practicing, developing tone, amplifying, avoiding injury, and maintaining this most versatile of hand percussion instruments, the pandeiro! Great for any beginner or advanced player!

""This book is Dennis's third masterfully written contribution to our recreational drumming community. In this latest book Dennis entices us to delve deeper in the world of culturally specific polyrhythms from the many rhythmacultures on this planet today. These rhythmacultures are still celebrating life through traditional drum, dance, and song and have a lot to teach us how to live and play in the world"" - Arthur Hull (Drummer/Percussionist, Author, Recording Artist, and internationally known as the ""Father of the Modern Drum Circle Movement"". Advanced Beginner/Intermediate Level The Magic of Twelve teaches the concepts of playing polymetric polyrhythms in cycles of twelve including concepts such as playing 4 over 6 pulses. The book includes over thirty full ensemble rhythms from traditional African, Afro Cuban and Afro Haitian sources.