The relation between subjective consciousness and the physical brain is widely regarded as the last mystery facing science. This book argues that there is no real puzzle here. Consciousness seems mysterious, not because of any hidden essence, but only because we think about it in a special way. David Papineau exposes the resulting potential for confusion, and shows that much scientific study of consciousness is misconceived. Modern physical science strongly supports a materialist account of consciousness. But there remains considerable resistance to this, both in philosophy and in the way most people think about the mind; we fall back on a dualist view, that consciousness is not part of the material world. Papineau argues that resistance to materialism is groundless. He offers a detailed analysis of the way human beings think about consciousness, and in particular the way in which we humans think about our conscious states by activating those selfsame states. His careful account of this distinctive mode of phenomenal thinking enables him, first, to show that the standard arguments against dualism are unsound, second, to explain why dualism is nevertheless so intuitively persuasive, and third, to expose much contemporary scientific study of consciousness as resting on a confusion. In placing a materialist account of consciousness on a firm foundation, this clear and forthright book lays many traditional problems to rest, and offers escape from immemorial misconceptions about the mind.

This revised edition provides the basics of applying hazard and operability study (Hazop) and hazard analysis (Hazan). Hazop is a creative but systematic method of identifying hazards in process plants. Hazard analysis is then used to quantify the risks from these hazards, and to assess how far to go in reducing them. This book is presented in easy-to-read style and explains: what a Hazop is, who carries it out, when, and how long it should take; points to watch during a Hazop; an example of a Hazop; Hazops on flowsheets; the stages of Hazard analysis; the Fatal Accident Rate; risks to the public; estimating how often an accident will occur, with examples; and pitfalls in Hazan.

This book, first published in 1980, is a comprehensive study of the radical theatre movement in Britain from 1968 to 1978. The essays are based on first-hand interviews, with each section being introduced with a summary of key events before detailing the artists under examination.

An ideal new multi-disciplinary volume for students and scholars of philosophy, contemporary political theory, and international relations. This volume offers key insights into the work of the chief figures in the contemporary debate surrounding thin universalism and presents a usefully themed contribution to the secondary literature on the work of Onora O’Neill, John Rawls, Michael Walzer, Martha Nussbaum, Stuart Hampshire and others as well as a commentary on contemporary debates surrounding human rights and distributive justice. This new book enables the reader to strongly grasp all the core debates in contemporary normative theory.

Performing Brecht is an unprecedented history of the productions of Brecht's plays in Britain over forty years. Margaret Eddershaw surveys all aspects of Brecht in performance, from his methodologies to his place in postmodernist theatre and beyond. She focuses on key productions by directors including George Devine, Sam Wanamaker, William Gaskill, Howard Davies, John Dexter and Richard Eyre. Eddershaw also provides three in-depth case studies of productions in the 1990s, incorporating her own exclusive access to the rehearsals and in-depth interviews with directors and performers. The case studies are: * The Good Person of Sechuan, directed by Deborah Warner and starring Fiona Shaw; * Mother Courage, directed by Philip Prowse and starring Glenda Jackson; * The Resistable Rise of Arturo Ui, directed by Di Trevis and starring Antony Sher

Kirkus' Best Fiction of 2017 From New York Times bestselling author Cory Doctorow, an epic tale of revolution, love, post-scarcity, and the end of death. "Walkaway is now the best contemporary example I know of, its utopia glimpsed after fascinatingly-extrapolated revolutionary struggle." —William Gibson Hubert Vernon Rudolph Clayton Irving Wilson Alva Anton Jeff Harley Timothy Curtis Cleveland Cecil Ollie Edmund Eli Wiley Marvin Ellis Espinoza—known to his friends as Hubert, Etc—was too old to be at that Communist party. But after watching the breakdown of modern society, he really has no where left to be—except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society—and walk away. After all, now that anyone can design and print the basic necessities of life—food, clothing, shelter—from a computer, there seems to be little reason to toil within the system. It’s still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it’s war – a war that will turn the world upside down. Fascinating, moving, and darkly humorous, Walkaway is a multi-generation SF thriller about the wrenching changes of the next hundred years...and the very human people who will live their consequences. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The definitive guide to the vibrant and inventive language of the East End, featuring history, trivia and anecdotes.