Beloved Belindy' is written and illustrated by Johnny Gruelle, forming part of 'The Raggedy Ann Series.' This story focused on the adventures of Beloved Belindy, provides entertainment as well as moral lessons for young audiences; to be kind to those you meet, to always be generous, and to help those that need it. Sought after by collectors, this re-printed edition showcases Gruelle's original text, further enhanced by his wonderful colour drawings. Gruelle (1880 - 1930), was an American artist and political cartoonist, as well as a children's book illustrator and author. Gruelle created Raggedy Ann for his daughter, Marcella, when she brought him an old hand-made rag doll. He drew a face on it, and from his bookshelf, pulled a book of poems by James Whitcomb Riley, combining the names of two poems, 'The Raggedy Man' and 'Little Orphant Annie.' From this moment on, the much-loved children's series went from strength to strength. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

In this series of adventures, Raggedy Ann goes for a ride on a kite and survives a washing.

Winner, Outstanding Book Award, Association for Theatre in Higher Education Winner, Grace Abbott Best Book Award, Society for the History of Children and Youth Winner, Book Award, Children's Literature Association Winner, Lois P. Rudnick Book Prize, New England American Studies Association Winner, IRSCL Award, International Research Society for Children's Literature Runner-Up, John Hope Franklin Publication Prize, American Studies Association Honorable Mention, Book Award, Society for the Study of American Women Writers Part of the American Literatures Initiative Series In Racial Innocence, Robin Bernstein argues that the concept of "childhood innocence" has been central to U.S. racial formation since the mid-nineteenth century. Children--white ones imbued with innocence, black ones excluded from it, and others of color erased by it--figured pivotally in sharply divergent racial agendas from slavery and abolition to antiblack violence and the early civil rights movement. Bernstein takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which she analyzes as "scriptive things" that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom's Cabin to The Wonderful Wizard of Oz literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how "innocence" gradually became the exclusive province of white children--until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.