DigiCat Publishing presents to you this special edition of "Bell's Cathedrals: The Cathedral Church of Salisbury" (A Description of its Fabric and a Brief History of the See of Sarum) by Gleeson White. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

"Bell's Cathedrals: The Cathedral Church of Salisbury: A Description of its Fabric and a Brief History of the See of Sarum" by Gleeson White Salisbury Cathedral, formally the Cathedral Church of the Blessed Virgin Mary, is an Anglican cathedral in Salisbury, England. This imposing and ornate building has long been a central part of England's religious society. In this book, White delves into the church's history and construction so both believers and non-believers can have a greater appreciation for its presence.

At York the city did not grow up round the cathedral as at Ely or Lincoln, for York, like Rome or Athens, is an immemorial—a prehistoric—city; though like them it has legends of its foundation. Geoffrey of Monmouth, whose knowledge of Britain before the Roman occupation is not shared by our modern historians, gives the following account of its beginning:—"Ebraucus, son of Mempricius, the third king from Brute, did build a city north of Humber, which from his own name, he called Kaer Ebrauc—that is, the City of Ebraucus—about the time that David ruled in Judea." Thus, by tradition, as both Romulus and Ebraucus were descended from Priam, Rome and York are sister cities; and York is the older of the two. One can understand the eagerness of Drake, the historian of York, to believe the story. According to him the verity of Geoffrey's history has been excellently well vindicated, but in Drake's time romance was preferred to evidence almost as easily as in Geoffrey's, and he gives us no facts to support his belief, for the very good reason that he has none to give. Abandoning, therefore, the account of Geoffrey of Monmouth, we are reduced to these facts and surmises. Before the Roman invasion the valley of the Ouse was in the hands of a tribe called the Brigantes, who probably had a settlement on or near the site of the present city of York. Tools of flint and bronze and vessels of clay have been found in the neighbourhood. The Brigantes, no doubt, waged intermittent war upon the neighbouring tribes, and on the wolds surrounding the city are to be found barrows and traces of fortifications to which they retired from time to time for safety. The position of York would make it a favourable one for a settlement. It stands at the head of a fertile and pleasant valley and on the banks of a tidal river. Possibly there were tribal settlements on the eastern wolds in the neighbourhood in earlier and still more barbarous times, before the Brigantes found it safe to make a permanent home in the valley, but this is all conjecture. It is not until the Roman conquest of Britain that York enters into history.

Succumb to one churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, William Golding (recorded by Benedict Cumberbatch as an audiobook). There were three sorts of people. Those who ran, those who stayed, and those who were built in. Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and his dark angel darker, the spire rises octagon upon octagon, pinnacle by pinnacle, watched over by the gargoyles - until the stone pillars shriek, the earth beneath creeps, and the spire's shadow falls like an axe on the medieval world below ... 'Astounding ... So recklessly beautiful, so sad and so strange ... Holds such a place in my soul that it's more or less a sacred text.' Sarah Perry 'A kind of miracle ... Genius.' Guardian ' Quite simply, a marvel.' NYRB ' Superb ... A classic.' Rebecca West 'A master fabulist .. An iconoclast.' John Fowles 'A visionary ... His masterwork [of] faith, folly and desperate desire ... Golding at his best.' Benjamin Myers

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