George Bellows's spirited and virile paintings of New York in the early decades of the twentieth century celebrated the city's bigness and bolness. Although these works clearly challenged the conservative practices of the National Academy and linked Bellows with the anti-academic art of Robert Henri and the Eight, they were highly popular, even with arch-conservatives. In this book Marianne Doezema explores why it was that Bellows's paintings--despite being considered coarse in technique and subject matter--were acclaimed by critics and patrons, by conservatives, progressives, and radicals alike. Doezema focuses on three of Bellows's principal urban themes: the excavation for Pennsylvania Station, prizefights, and tenement life on the Lower East Side. Drawing on journals and periodicals of the period, she discusses how the prominent, often newsworthy motifs painted by Bellows evoked particular associations and meanings for his contemporaries. Arguing that the implicit message of these paintings was distinctly unrevolutionary, she shows that the excavation paintings celebrated industrialization and urbanization, the boxing pictures presented the sport as brutal and its fans as bloodthirsty, and the depictions of the Lower East Side conformed to a moralistic, middle-class view of poverty. In many of Bellows's subject pictures of this era, says Doezema, the artist approached issues of changing moral and social values in a way that not only seemed congenial to many members of his audience but also verified their attitudes and preconceptions about urban life in America.

This comprehensive method of music instruction enables the beginner to progress to an advanced stage of technical skill.

The haunted notebook of Sarah Bellows is now in your possession. It contains scary stories featured in the upcoming Scary Stories to Tell in the Dark film and includes behind-the-scenes details that reveal how the thriller was brought to life on-screen. It’s 1968 in America. Change is blowing in the wind . . . but seemingly far removed from the unrest in the cities is the small town of Mill Valley, where for generations the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with secrets, turned her life into a series of scary stories — stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying prose. Scary Stories to Tell in the Dark: The Haunted Notebook of Sarah Bellows is a must-have companion to the upcoming film. Inside are Sarah Bellows’ scary stories, illustrated with dozens of frightening and intricate sketches and color artwork. Designed as a replica of the book seen in the film, these pages also include a behind-the-scenes section, filled with concept art and unit photography, showing how director André Øvredal and producer Guillermo del Toro brought Scary Stories to Tell in the Dark to the screen.

Professor Leader marks the centenary of Bellow's birth with an account of the novelist's life. The biography will be published in two volumes.