In the nineteenth century, architects and family reformers launched promotional campaigns portraying houses no longer as simply physical structures in which families lived but as emblems for family cohesiveness and identity. Clark explains why, despite the fear of standardization and homogenization, the middle class has persisted in viewing the single-family home as the main symbol of independence as as the distinguishing sign of having achieved middle-class status.

Read Christopher John Campion's posts on the Penguin Blog. Indie rock raconteur Chris Campion-one of the few patients ever to escape from Bellevue's locked ward-recalls his band's tumultuous ride, his plummet into addiction, and the strange road back to sobriety Chronicling more than twenty years in the life of a Long Island kid who became a hardcore fixture of Manhattan's indie rock scene, Escape from Bellevue is a coming-of-age tale like no other. As the lead singer of New York-based indie rock band Knockout Drops, Campion got a taste of fame (but, alas, no fortune) on a wild ride that lasted from the early 1980s through the 1990s. Escape from Bellevue puts the spotlight on the collective psychosis of twenty years spent in a rolling bacchanal. Just as the Knockout Drops reached the height of their success, Campion began his downward spiral. After finally coming to grips with his addictions, Campion molded his songs and stories into a sold-out off-Broadway musical. Now, presenting these tales in a memoir of madness and redemption, Campion once again proves to possess the creative genius of a die-hard front man.

The idea for this book came from similar publications illustrating nearby communities such as Tarentum, East Deer, Vandergrift and Ford City and was designed to be unveiled during the New Kensington Quasquicentennial in 2016. The text research was done with the aid of previous historical publications, personal interviews and archives at the Valley News Dispatch and People's Library of New Kensington.