This translated catalog was produced for the title exhibit at the J. Paul Getty Museum, Los Angeles, held July 16, 2009-February 8, 2010. Iozzo (National Archeological Museum, Florence) and the Getty's senior curator of antiquities describe their collaboration for the loan of this large Etruscan bronze chimera dating to the 5th century B.C., its 16th century discovery in Arezzo, symbolism of the mythical creature, and place in classical art and Medici history.

Discusses the people, places and events found in over 2,000 years of Greek civilization.

Long ago, when gods and heroes walked the earth in triumph and tragedy, true love and epic deeds were set among the stars... In the city of ancient Corinth, Bellerophon grew up in the corridors of the palace, haunted by his father’s gruesome death, and distrusted and ignored by the rest of his own family. He now spends his life in the shadows of society, and that is how he prefers it. However, the Gods of Olympus have something more in mind for him. After a violent incident in the mountains, Bellerophon is banished from his home for all time. His path leads him to the court of an aged king in Tiryns where he is welcomed at first, but due to the spiteful queen, he is wrongly accused of another crime in a world that seems endlessly cruel. Dejected and uncaring of what happens to him and his hateful life, Bellerophon is sent across the sea to the court of King Iobates of Lykia. At the urging of his seer, the king welcomes Bellerophon as an honoured guest in his home, until he discovers the reason for his arrival. Seeking a way to be rid of Bellerophon, without violating the sacred laws of Zeus, King Iobates commands that he complete three impossible tasks to prove his innocence or bring about his death. With the world set against him, Bellerophon welcomes his imminent end. That is, until he meets the king’s daughter, Philonoe, the only person who has ever believed in him, and whose father has kept a dark secret from for many years. With the Gods and Lykia’s princess on his side, can Bellerophon prove his innocence and help save Lykia and its people? Will he finally accept the fate that the Gods have pressed upon him? Or will he succumb to the despair and hopelessness that have dogged him all of his life? Only by facing his deepest fears and a creature more terrible than any other of the Gods’ creation can Bellerophon truly succeed and become the hero he is meant to be... The Reluctant Hero is an epic retelling of the story of Bellerophon and the Chimera from Greek mythology. It is the fourth book in the Mythologia fantasy series by best-selling and award-winning author and historian, Adam Alexander Haviaras. If you enjoy books by Madeline Miller, Stephen Fry, Natalie Haynes or Jennifer Saint then you will love the Mythologia series. Read The Reluctant Hero today and witness the rise of one of the greatest heroes of the ancient world!

The ancient Greek word koine was used to describe the new common language dialect that became widespread in the ancient Greek world after the conquests of Alexander the Great. Modern scholars have increasingly used the word to conceptualise regional homogeneities in the material culture of the ancient Mediterranean. In this volume, twenty scholars from various disciplines present case studies that focus on the fundamental question of how to perceive and the social and cultural mechanisms that led to the spread and consumption of material culture in the Greek early Iron Age. Combined the chapters provide a critical examination of the use of the koine concept as a heuristic tool in historical research and discuss to what degree similarities in material culture reflect cultural connections. The volume will be of interest scholars interested in archaeological theory and method, the social significance of material culture, and the history of the ancient Greek world in the first half of the first millennium BC.

Based on the archaeological context of the vessels, this book offers an overview of the production and distribution of early Attic black-figured pottery until the end of the first quarter of the sixth century B.C., aiming at an afresh approach to early Archaic Attika.

The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore and ethnography, encompassing the restless dead, blood-drinking lamiae, exotic hybrid animals, the so-called dog-headed men, and many other unexpected creatures and peoples. The third part covers various interpretations of these creatures from multiple perspectives, including psychoanalysis, colonialism, and disability studies, with monster theory itself evident across the entire volume. The final part discusses reception of these ancient monsters across time and space--from the Middle Ages to the Renaissance to modern times, from Persia to Scandinavia, the Caribbean, and Latin America-and concludes with chapters considering the use and adaptation of ancient monsters in children's literature, science fiction, fantasy, and modern scientific disciplines. This Handbook is the first large-scale, inclusive guide to monsters in antiquity, their places in literature and art across the millennia, and their influence on later literature and thought.