Isoline Beresford has beautiful yet haunting dreams. In them, a man she doesn't know is calling to her. She's inexplicably, inexorably drawn to him, until he's more real to her than her own fiancé. When she calls off her engagement, her enraged father sends her to live with her ninety-year-old grand-aunt, the Dowager Countess Bellamira Granville. If she won't do her duty at home, he reasons, perhaps she can at least convince Lady Granville to leave her fortune to Isoline. But life at Thornrush Manor is not what Isoline expected. Her aunt is as spry and elegant as a woman half her age. Her nearest neighbor, a distant cousin, begins courting her. And a dark and handsome artist proves a pleasant companion. All the while, her dreams grow more intense. More urgent. More passionate. More dangerous. In order to save everyone at Thornrush Manor, Isoline will have to confront the darkest parts of herself—and discover the secret of the man who hides in her dreams. Fans of Daphne Du Maurier, Sherrilyn Kenyon, and Eve Silver are sure to love this Gothic romance from Leigh Anderson.

Focusing on Mary Sidney Herbert and Mary Sidney Wroth’s use of the figures of origin, descent, and inheritance in their poetry and prose, this book examines how these central women writers situated themselves in terms of early modern England’s rich ancestral cultures, employing these and other genealogical concepts to talk about authorship, family, selfhood, and memory. In turn, both Sidney Herbert and Sidney Wroth also shaped their works in relation to the ways in which writers within their familial communities and literary coteries constructed them as Sidneys, heirs, descendants, and future ancestors, in genres ranging from the patronage dedication and pastoral eclogue to mythographic genealogia and georgic poetry. In the intersection of ancestry, death, sexuality, and reproduction, the book contends that Sidney Herbert and Sidney Wroth develop their authorship within the simultaneous rigidity and flexibility of their world’s genealogical discourses.

Christopher Marlowe (1564-1593), a man of extreme passions and a playwright of immense talent, is the most important of Shakespeare's contemporaries. This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death. Tamburlaine Part One and Part Two deal with the rise to world prominence of the great Scythian shepherd-robber; The Jew of Malta is a drama of villainy and revenge; Edward II was to influence Shakespeare's Richard II. Doctor Faustus, perhaps the first drama taken from the medieval legend of a man who sells his soul to the devil, is here in both its A- and its B- text, showing the enormous and fascinating differences between the two. Under the General Editorship of Dr. Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation.

If you enjoy historical romance novels, you want to read Lindamira… first written as a contemporary romance, it’s historical now because it was written over 300 years ago! What Makes Lindamira a Great Story? The Adventures of Lindamira from 1702 mimics the best of popular late 17th-century French, Spanish, and Italian novels of aristocratic romantic intrigues, with all the emotional ups and downs and the issues that build angst and anticipation to make a riveting tale, yet this story is far more concise, brings the cultural setting down to the upper-middle-class, and provides an innovative true-to-life perspective while including entertaining homages to its foreign-language predecessors' unrealistic tales. Lindamira is young, beautiful, wealthy, independent-minded, and virtuous, but not always as kind and rational as she desires to be. Multiple suitors of various quality pursue her, but the courtship process can be painful and confusing even when things go well, and often they don't go well. Reflecting back on her life, she confides the details in 25 letters to her trusted friend Indamora, in which she confides her romantic adventures, beginning when she was 16 years old. What Else Makes Lindamira So Special? · The first romance novel written in English · The 300-year-old authorship mystery solved · The oldest English romance novel written as contemporary that became historical · Inspiration for the first fan fiction based on an English romance novel · 18th-century international best-seller See the About Lindamira section at the end of the book for details.