Belladonna of Sadness, the final film in the adult-oriented Animeramatrilogy, is one of the great forgotten masterpieces of Japanese anime. Loosely inspired by La Sorci�re, Jules Michelet’s 1862 history of witchcraft and the occult, Belladonna of Sadnesstells the story of a young woman who makes a pact with the devil to exact revenge after being raped and driven from her home. This brief synopsis, however, does no justice to the visual spectacle of the film, which proceeds as a series of still images flashing onscreen. Spectacular watercolor paintings by Kuni Fukai marry the art nouveau artifice of artists like Aubrey Beardsley to ’60s psychedelia; the film’s North American distributor, Cinelicious Pics, describes it as “equal parts J.R.R. Tolkien and gorgeous, explicit Gustav Klimt-influenced eroticism.” A legendary cult classic, Belladonna of Sadnesshas never been officially released in the United States—until now. This publication accompanies the restored film’s North American release. Beautifully produced in a colorful, large-format edition, this volume provides an indispensable companion to this incredible animated masterpiece, including script outtakes, stills and other ephemera from the film, a text about the film’s painstaking restoration and interviews conducted with the film’s illustrator, composer, and director Eiichi Yamamoto. The first printing of the book will include a Blu-ray disc of the 4k restored version of the feature film, with bonus features including interviews with the director, composer and illustrator of the film, original trailer and more. Once the first printing of the book is sold out, the Blu-ray will not be included with any future printings.

**The marriage was of convenience. The feelings? Not so much.** My name is Rachel. I'm straight ... I think. I also have a mountain of student loans and a smart mouth. I wasn't serious when I told Pari Sadashiv I'd marry her. Except Pari needs a green card, and she's willing to give me a breather from drowning in debt."

Winner of 2018 Warwick Prize for Women in Translation From the author of the highly acclaimed Trieste, a fierce novel about history, memory, and illness Andreas Ban, a psychologist who no longer psychologizes, a writer who no longer writes, lives alone in a coastal town in Croatia. His body is failing him. He sifts through the remnants of his life—his research, books, medical records, photographs—remembering old lovers and friends, the tragedies of WWII, the breakup of Yugoslavia. Ban’s memories of Belgrade (which he thought he had left behind) and of Amsterdam (a different world and life) alternate with meditations on hole-ridden time (ebbing away through its perforations), on his measly pension, on growing old and fragile, on the intelligence of rats and the agelessness of lobsters, on deadly nightshade. He tries to push the past away, "to land on a little island of time in which tomorrow does not exist, in which yesterday is buried.” Drndic´ leafs through the horrors of history with a cold unflinching wit. “The past is riddled with holes,” she writes. “Souvenirs can’t help here.” And they don't.

Although the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films. From science fiction terrors of the 1950s like Godzilla toviolentfilms like Suicide Circle and Ichi the Killer, Japanese horror film has a diverse history. While the quality of some of these films has varied, others have been major hits in Japan and beyond, frightening moviegoers around the globe. Many of these films—such as the Ringu movies—have influenced other horror productions in both Asia and the United States. The Encyclopedia of Japanese Horror Films covers virtually every horror film made in Japan from the past century to date. In addition to major and modest productions, this encyclopedia also features entries on notable directors, producers, and actors. Each film entry includes comprehensive details, situates the film in the context and history of Japanese horror cinema, and provides brief suggestions for further reading. Although emphasizing horror as a general theme, this encyclopedia also encompasses other genres that are associated with this theme, including Comedy Horror, Science Fiction Horror, Cyber-punk Horror, Ero Guru (Erotic Grotesque), and Anime Horror. The Encyclopedia of Japanese Horror Films is a comprehensive reference volume that will appeal to both cinema scholars as well as to the many fans of this popular genre.

FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE FOR POETRY A brilliant second collection by Sally Wen Mao on the violence of the spectacle—starring the film legend Anna May Wong In Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement but as a migration through time and a reckoning with technology. The title poem follows a nineteen-year-old girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence spanning the collection speaks in the voice of the international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.