THE STORY: Gillian Holroyd is one of the few modern people who can actually cast spells and perform feats of supernaturalism. She casts a spell over an unattached publisher, Shepherd Henderson, partly to keep him away from a rival and partly becaus

Kaveh Akbar’s exquisite, highly anticipated follow-up to Calling a Wolf a Wolf With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness. Richly crafted and generous, Pilgrim Bell’s linguistic rigor is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy.

"You can't judge a book by its cover. To look at her, one would never think suburbanite homemaker Jane Jeffry would be interested in murder and mayhem. But after all the corpses she's come across - and killers she's unmasked - she's practically an expert on the subject. Which is why, with best buddy Shelley Nowack in tow, Jane's booking down to a nearby mystery writers' convention to mingle with the brightest lights of literary crime ... and maybe drum up some interest in her own recently completed manuscript." "They're all there: editors, agents, publishing bigwigs, and famous authors like Jane and Shelley's personal fave, Felicity Roane. Even Jane's longtime honey, Detective Mel VanDyne, is a scheduled guest speaker. Of course there are bound to be some bad apples in the bunch: macho-malicious literary critic-cum-snake Zac Zebra, for example, and loudmouth Vernetta Strausmann, who self-published her despicable whodunit and successfully hawked it on the Internet." "However, what would a mystery convention be without a mystery? So one is graciously supplied when a famous ego-squashing editor keels over at the speaker's podium, undone by an anonymous poisoner. And when a much-hated book-bashing journalist is himself bashed quite nastily in the parking lot, it seems fairly certain that at least one real-life murder is stalking the proceedings. But who is he/she/them? The dirt-dishing, pseudonymous Internet gossip monger "Ms. Mystery," who's lurking around there somewhere? The local bookseller who dearly loves "Modern Golden Age" women writers? The avid reader who seems to know a bit too much about the personal lives of the famous attendees?" "Jane and Shelley are on the case, ready to snoop, eavesdrop, and gossip their way to a solution. But the killer they seek is no open book ... and may turn out to be harder - and deadlier - to read than they initially imagined."--BOOK JACKET.

Rosemary Edghill cast a keenly observant, friendly, yet faintly amused eye on an intriguing American micro-culture. The Bast novels offer a very new view of the practitioners of a very old faith. Edghill allows that there's still magic in the air. Rosemary Edghill's Bast novels are a real treat. Bell, Book, and Murder contains all three Bast novels, Speak Daggers to Her, Book of Moons, and The Bowl of Night (excerpted in USA Today). At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The witch as a cultural archetype has existed in some form since the beginning of recorded history. Her nature has changed through technological developments and sociocultural shifts--a transformation most evident in her depictions on screen. This book traces the figure of the witch through American screen history with an analysis of the entertainment industry's shifting boundaries concerning expressions of femininity. Focusing on films and television series from The Wizard of Oz to The Craft, the author looks at how the witch reflects alterations of gender roles, religion, the modern practice of witchcraft, and female agency.

A 2015 Newbery Honor Book & New York Times bestseller! Going to school and making new friends can be tough. But going to school and making new friends while wearing a bulky hearing aid strapped to your chest? That requires superpowers! In this funny, poignant graphic novel memoir, author/illustrator Cece Bell chronicles her hearing loss at a young age and her subsequent experiences with the Phonic Ear, a very powerful—and very awkward—hearing aid. The Phonic Ear gives Cece the ability to hear—sometimes things she shouldn’t—but also isolates her from her classmates. She really just wants to fit in and find a true friend, someone who appreciates her as she is. After some trouble, she is finally able to harness the power of the Phonic Ear and become “El Deafo, Listener for All.” And more importantly, declare a place for herself in the world and find the friend she’s longed for.