At the centre of Bartók's œuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. This book examines these remarkable works from a range of theoretical and methodological perspectives.

Béla Bartók (1881-1945) was one of the most important composers and musical thinkers of the 20th century. His contributions as a composer, as a performer and as the father of ethnomusicology changed the course of music history and of our contemporary perception of music itself. At the center of Bartók's oeuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. The String Quartets of Béla Bartók brings together innovative new scholarship from 14 internationally recognized music theorists, musicologists, performers, and composers to focus on these remarkable works from a range of theoretical and methodological perspectives. Focusing on a variety of aspects of the string quartets-harmony and tonality, form, rhythm and meter, performance and listening-it considers both the imprint of folk and classical traditions on Bartók's string quartets, and the ways in which they influenced works of the next generation of Hungarian composers. Rich with notated music examples the volume is complemented by an Oxford Web Music companion website offering additional notated as well as recorded examples. The String Quartets of Béla Bartók, reflecting the impact of the composer himself, is an essential resource for scholars and students across a variety of fields from music theory and musicology, to performance practice and ethnomusicology.

This book is the younger son's account of the composer, Béla Bartók, as a family man whose profession happened to be writing music. The origin of details of several works are described. The appendix contains the surviving letters written by the father to the son, including those that can be viewed as a chronological account of the last one and a half years of his life.

Acclaimed as the most important quartets since Beethoven, the six string quartets of Bela Bartok offer a summation of the composer's compositional style and development, and they constitute one of the great monuments of twentieth-century music. This outstanding new volume unites the first two of Bartok's chamber masterpieces. The stirring first quartet, written in 1908, captures the composer's great stylistic rebirth, as the intense Romanticism of the opening movement gives way to a propulsive finale reflecting the composer's growing interest in Hungarian folk music. The second quartet, written during World War I, finds Bartok's creativity unimpeded by wartime privations. The three-movement work echoes the meditative qualities of the first quartet in its outer movements, but its lively central movement suggests the traditional music of North Africa. A combination of boldly disparate influences, it remains a work of astonishing force and originality."

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