DigiCat presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Les Misérables (Victor Hugo) The Call of the Wild (Jack London) Walden (Henry David Thoreau) Anna Karenina (Leo Tolstoy) War and Peace (Leo Tolstoy) Crime and Punishment (Fyodor Dostoevsky) Art of War (Sun Tzu) Dead Souls (Nikolai Gogol) Don Quixote (Miguel de Cervantes) Dona Perfecta (Benito Pérez Galdós) A Doll's House (Henrik Ibsen) Gitanjali (Rabindranath Tagore) The Life of Lazarillo de Tormes (Anonymous) Life is a Dream (Pedro Calderon de la Barca) The Divine Comedy (Dante) Decameron (Giovanni Boccaccio) The Prince (Machiavelli) Arabian Nights Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Robinson Crusoe (Daniel Defoe) Pride & Prejudice (Jane Austen) Frankenstein (Mary Shelley) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Great Expectations (Charles Dickens) Ulysses (James Joyce) Pygmalion (George Bernard Shaw) Ivanhoe (Sir Walter Scott) Dr Jekyll and Mr Hyde (Robert Louis Stevenson) Peter and Wendy (J. M. Barrie) The Adventures of Huckleberry Finn (Mark Twain) Moby-Dick (Herman Melville) Little Women (Louisa May Alcott) Leaves of Grass (Walt Whitman) The Raven (Edgar Allan Poe) Anne of Green Gables (L. M. Montgomery) Iliad & Odyssey (Homer) The Republic (Plato) Faust, a Tragedy (Johann Wolfgang von Goethe) Siddhartha (Herman Hesse) Thus Spoke Zarathustra (Friedrich Nietzsche) 20,000 Leagues Under the Sea (Jules Verne) Journey to the Centre of the Earth (Jules Verne) The Hunchback of Notre Dame (Victor Hugo) The Flowers of Evil (Charles Baudelaire) The Count of Monte Cristo (Alexandre Dumas) The Poison Tree (Bankim Chandra Chatterjee) Shakuntala (Kalidasa) Rámáyan of Válmíki...

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

2023 American Writing Awards Non-Fiction BOOK OF THE YEAR “A gripping true story from beginning to end… It is intelligent, humorous at times, and overflowing with spiritual insights. One of the most thought-provoking books I’ve ever encountered.” —Cathy Byrd, author of The Boy Who Knew Too Much “I’m not a believer and I’m not a father. So why do I like Guidroz’s book so much? Because Letters to My Son in Prison makes the grade as literature worthy of reading in depth. It’s raw, straight from the heart. No treacle for effect. Ken has laid his heart and soul on the table and done it with unflinching courage.” —David Booth, coauthor of Own the Room “Guidroz shares his wisdom and insight in a relatable way. This makes it easy to connect with and feel invested in the story. If you are looking for a deeply moving and inspirational read, I highly recommend this book. It will renew your faith in love and redemption and give you a sense of hope.” —Barbara Legere, author of Keven’s Choice Ken raised his three sons in a squeaky-clean suburb of Los Angeles. He envisioned fatherhood as coaching their sports teams, taking them to church (where he was the pastor), and visiting colleges one day. Instead, he got an education on the street names of opioids, fluency in rehab vernacular, and an insider’s view of the California prison system, when his middle son, Lucas, accidentally killed a man with his car while high on heroin. Ken was tormented by doubt. What did I do wrong as a dad? Will my son ever be okay? Will my marriage survive this trauma? Estranged from his son, Ken strived to rebuild their relationship. Face-to-face visits made them feel like they were in a fishbowl and phone calls were interrupted with inmates screaming. Letter writing turned out to be the best way to connect. Writing the letters proved cathartic for Ken. And they were clarifying for Lucas, as he made sense of losing his way, ultimately writing a heart-wrenching apology to the widow of his victim. The written word became the perfect medium for a father to reconnect with his son—and himself. Ken is most revealing, however, about the impact all this had on his faith. To go from the podium to the back pew and then out the back door disoriented him. How could he redefine his faith outside the four walls of religion? With a distinct voice and disarming honesty, Letters to My Son in Prison offers a candid snapshot of fatherhood, a refreshing take on marriage, and a creative vision of faith.

Names We Call Home is a ground-breaking collection of essays which articulate the dynamics of racial identity in contemporary society. The first volume of its kind, Names We Call Home offers autobiographical essays, poetry, and interviews to highlight the historical, social, and cultural influences that inform racial identity and make possible resistance to myriad forms of injustice.

This highly readable book is a collection of critical papers on Otto Neurath (1882-1945). It comprehensively re-examines Neurath’s scientific, philosophical and educational contributions from a range of standpoints including historical, sociological and problem-oriented perspectives. Leading Neurath scholars disentangle and connect Neurath’s works, ideas and ideals and evaluate them both in their original socio-historical context and in contemporary philosophical debates. Readers will discover a new critical understanding. Drawing on archive materials, essays discuss not only Neurath’s better-known works from lesser-known perspectives, but also his lesser-known works from the better-known perspective of their place in his overall philosophical oeuvre. Reflecting the full range of Neurath's work, this volume has a broad appeal. Besides scholars and researchers interested in Neurath, Carnap, the Vienna Circle, work on logical empiricism and the history and philosophy of science, this book will also appeal to graduate students in philosophy, sociology, history and education. Readers will find Neurath’s thoughts described and evaluated in an accessible manner, making it a good read for those beyond the academic world such as social leaders and activists. The book includes the edited 1940-45 Neurath-Carnap correspondence and the English translation of Neurath's logic papers.

"If Ms. Frizzle were a physics student of Stephen Hawking, she might have written THE UNIVERSE IN YOUR HAND, a wild tour through the reaches of time and space, from the interior of a proton to the Big Bang to the rough suburbs of a black hole. It's friendly, excitable, erudite, and cosmic." —Jordan Ellenberg, New York Times besteselling author of How Not To Be Wrong Quantum physics, black holes, string theory, the Big Bang, dark matter, dark energy, parallel universes: even if we are interested in these fundamental concepts of our world, their language is the language of math. Which means that despite our best intentions of finally grasping, say, Einstein's Theory of General Relativity, most of us are quickly brought up short by a snarl of nasty equations or an incomprehensible graph. Christophe Galfard's mission in life is to spread modern scientific ideas to the general public in entertaining ways. Using his considerable skills as a brilliant theoretical physicist and successful young adult author, The Universe in Your Hand employs the immediacy of simple, direct language to show us, not explain to us, the theories that underpin everything we know about our universe. To understand what happens to a dying star, we are asked to picture ourselves floating in space in front of it. To get acquainted with the quantum world, we are shrunk to the size of an atom and then taken on a journey. Employing everyday similes and metaphors, addressing the reader directly, and writing stories rather than equations renders these astoundingly complex ideas in an immediate and visceral way. Utterly captivating and entirely unique, The Universe in Your Hand will find its place among other classics in the field.