When did you last hear of a poetry book selling in the millions? Well, since 1958 when John Betjeman's Collected Poems was first published, sales have exceeded 2.5 million and are still going strong. When he died in 1984, still as Poet Laureate, he was by far the UK's favourite poet (as Philip Larkin acknowledged). Thanks to his work as a broadcaster and architectural campaigner he was also a celebrity. However his life was full of insecurities, frustrations and busted relationships, and in terms of his work, his comments that 'he was not taken seriously by the TLS' said it all. Jonathan Smith, author of many successful novels, but also a playwright and educationalist, wrote two radio plays dramatising Betjeman's life which were first broadcast on the BBC in 2017 and which have now been combined into a single narrative, part biography, part fiction but providing an extraordinary - and above all, highly entertaining - journey into the mind and the life of John Betjeman. The book follows the poet from his time at Oxford where he wandered around clutching a teddybear, then having been kicked out, to the well trodden route of Prep School master (he was taken on as a cricket coach, knowing absolutely nothing about the game). Then onto his unfortunate marriage to Penelope Chetwode an English travel writer, and the only daughter of Field Marshal Lord Chetwode, who sadly was more interested in horses than humans. The book then centres on his lengthy affair with Lady Elizabeth Cavendish and his problems with son Paul, who emigrated to the USA and never really forgave Betjeman for his shortcomings as a parent. Beautifully written, we expect this book to be widely noticed in reviews.

John Betjeman was by far the most popular poet of the twentieth century; his collected poems sold more than two million copies. As poet laureate of England, he became a national icon, but behind the public man were doubts and demons. The poet best known for writing hymns of praise to athletic middle-class girls on the tennis courts led a tempestuous emotional life. For much of his fifty-year marriage to Penelope Chetwode, the daughter of a field marshal, Betjeman had a relationship with Elizabeth Cavendish, the daughter of the Duke of Devonshire and lady-in-waiting to Princess Margaret. Betjeman, a devout Anglican, was tormented by guilt about the storms this emotional triangle caused. Betjeman, published to coincide with the hundredth anniversary of the poet's birth, is the first to use fully the vast archive of personal material relating to his private life, including literally hundreds of letters written by his wife about their life together and apart. Here too are chronicled his many friendships, ranging from "Bosie" Douglas to the young satirists of Private Eye, from the Mitford sisters to the Crazy Gang. This is a celebration of a much-loved poet, a brave campaigner for architecture at risk, and a highly popular public performer. Betjeman was the classic example of the melancholy clown, whose sadness found its perfect mood music in the hymns of a poignant Anglicanism.

John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and - more importantly - religious doubt.

Eccentric, sentimental and homespun, John Betjeman's passions were mostly self-taught. He saw his country being devastated by war and progress and he waged a private war to save it. His only weapons were words--the poetry for which he is best known and, even more influential, the radio talks that first made him a phenomenon. From fervent pleas for provincial preservation to humoresques on eccentric vicars and his own personal demons, Betjeman's talks combined wit, nostalgia and criticism in a way that touched the soul of his listeners from the 1930s to the 1950s. Now, collected in book form for the first time, his broadcasts represent one of the most compelling archives of 20th-century broadcasting.

This bibliography describes all John Betjeman's known writings, including his own books, contributions to periodicals and to books by others, lectures, and radio and television programs. Other categories include editorships and interviews, as well as a section devoted to writings about him. Manuscripts and drafts of his works are described in detail.

Tells the story of a boy's growth to early manhood, seaside holidays, meddling arts, school bullies and an unexpected moment of religious awakening.

Pevsner: The BBC Years gives the first full account of Sir Nikolaus Pevsner’s engagement with the BBC at a time when both were the dominant institutions in their own fields -- Pevsner as the most persuasive figure in architecture and art history, the BBC as the country's sole broadcaster. A German emigré, Pevsner was not at first trusted to speak on the air, and was only invited to appear at the very end of the war, in spite of his growing eminence in academia and publishing. With the arrival of the Third Programme in 1946, however, he quickly became a broadcasting celebrity, and one whom senior BBC figures regarded as essential and novel listening. Pevsner: The BBC Years looks at the sudden rise in Pevsner’s standing at the BBC, at what he was admired for, and at the circumstances surrounding his being commissioned, in the mid-1950s, to give the first series of Reith Lectures on an arts subject -- the relationship between visual expression and national identity. The book explains the roles played by Geoffrey Grigson, Basil Taylor, Anna Kallin and Leonie Cohn in advancing Pevsner's BBC career, analyses the literary character of his broadcasting, and considers the function of his talks as an extension of European belletrism. It also demonstrates the significance of his concurrent editorship of the King Penguin series of books. In addition, Pevsner: The BBC Years documents the unravelling of Pevsner's reputation. It shows how he was caught between changing fashions in media culture and damaged by doubts about the safety of his ideas, both within the BBC and, externally, among British conservatives who found him too radical and American radicals who found him too conservative. In Pevsner: The BBC Years, correspondence from the BBC’s archives provides a case study of scholarly thought being exposed to independent scrutiny -- a process with lessons for today.